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Alternate Best Supporting Actor 2005: Ed Harris in A History of Violence

Ed Harris did not receive an Oscar nomination for portraying Carl Fogarty in A History of Violence.Ed Harris portrays the Philadelphia gangster who comes looking for diner owner Tom Stall who recently killed two men trying to rob his diner..

Best Supporting Actor 2011: Nick Nolte in Warrior

Nick Nolte received his third Oscar nomination for portraying Paddy Conlon in Warrior.Warrior details a winner take all mixed martial art tournament whose two main combatants are estranged brothers (Tom Hardy, Joel Edgerton) fighting for their own difficult reasons.

Alternate Best Actor 2011

And the Nominees Were Not:Ryan Gosling in DriveRobert Wieckiewicz in In DarknessMichael Fassbender in ShameMichael Shannon in Take ShelterBrendan Gleeson in The Guard..

Thursday, May 17, 2012

What you can and can't say on television

A few weeks ago I spoke at a comedy symposium at U.C. Santa Barbara (along with other panelists the students had actually heard of).  There was a good crowd, several hundred at least -- all the more impressive because the surf was really up that day.  During one of the panels (not mine), they showed a clip from an ALL IN THE FAMILY episode from the early '70s.  It's the famous scene where

Wednesday, May 16, 2012

Best Supporting Actor 1963: Bobby Darin in Captain Newman M.D.

Bobby Darin received his only Oscar nomination for portraying Corporal Jim Tompkins in Captain Newman, M.D.

Captain Newman M.D. tells various stories of a soldiers psychiatric ward head by Captain Newman (Gregory Peck).

Bobby Darin best known as a singer apparently tried to pull a Frank Sinatra by attempting to break into dramatic acting through a supporting turn in a film about the military. This film is ripe for Oscar baiting with several of the performances being very broad particularly by Eddie Albert, and by Bobby Darin. The only person who tries to downplay his character's mental instability is Robert Duvall. Darin though was nominated though and I have a feeling this was largely due to his name, and fame as a singer, as well as just how baiting this role was.

Darin has several scenes of Corporal Tompkins either when he is refusing to tell about his traumatic experience in the war or his big Oscar scene where he does tell his story during the war. Darin is full on ACTING in these scenes. He actually is not bad, and does have a great deal of conviction in the role. His big confession scene is especially indulgent to Darin who just acts up a storm. A big storm that does have a certain effectiveness, even if it is quite a scatter shot approach, he wants something to stick, and I can't say he fails in this regard.

His huge Oscar scene though really does go on for way way way too long. It just keeps going and going, and considering how Darin desperately wanted to win the Oscar, I would not be surprised if it was Darin who pushed for his scene to go long as long as it does. As if Darin just desperately wanted to prove he had acting chops, and just wanted that Oscar really really badly. Again Darin is actually fine in the scene but I think it would have been a far more effective and memorable scene if it had been shorter. As it is it becomes far too self indulgent, and forced by nature muting Darin's performance.

Another flaw though comes in the film itself which is too episodic. The three main cases just do not meld perfectly and the film could have used tighter editing. Darin whole character placement in the film is far from perfect making his transitions and transformations once again muted. When we do see Darin though he does his best to bring Topkins along his way. Firstly showing a man avoiding his problems, than conflicting over revealing his pain, showing his pain, than finally dealing with it. Darin does his best in all of these phases but the film does not bring it together well enough.

Darin does well throughout the film giving an effectively natural enough performance throughout. I won't say it ever becomes an amazing performance, but than again the weaknesses of the film perhaps prevented it from doing so. Darin does certainly not go for the underplaying route he leaves that to Robert Duvall, which is perfectly fine actually since he does succeeds in bringing some of the pain of this soldier to life. This is far from a perfect performance, and yes it is an early example of Oscar bait to the extreme, but I would still say this is a good performance.

I hate PowerPoint



Imagine you had to give a presentation to a fairly large group. The topic is something you know something about. The quarterly report. The latest advances in merkins. Whatever.  And while you're delivering this presentation you also have to put on rock climbing gear. Bulky jacket,boots, lacing up the heavy boots, attaching one or two harnesses, stocking up on flares and picks. All this

Tuesday, May 15, 2012

Best Supporting Actor 1963

And The Nominees Were:

Bobby Darin Captain Newman, M.D.

John Huston in The Cardinal

Melvyn Douglas in Hud

Hugh Griffith in Tom Jones

Nick Adams in Twilight of Honor

Now that the networks have announced their schedules, some random thoughts...



Unlike NBC, CBS opted to pick up comedies by proven showrunners. Max Mutchnick & David Kohan got a show along with Alan Kirschenbaum. And both show are multi-camera.

Meanwhile, NBC continues to assign showrunners to new series created by inexperienced writers. Now you’d think they’d try to match the perfect writer with the perfect project? No. They’re assigning showrunners that

Monday, May 14, 2012

Best Supporting Actor 2006: Results

5. Djimon Hounsou in Blood Diamond- Hounsou is only ever really loud or really quiet, which is acceptable for much of his performance, but when his limits are noticeable they are very noticeable.
4. Mark Wahlberg in The Departed- Wahlberg is enjoyable enough as the loud abrasive police officer, it is not a complex performance but it serves its purpose.
3. Eddie Murphy in Dreamgirls- Murphy throws a great deal of energy into his role, but for me I could never separate this from his earlier comedic performances.
2. Alan Arkin in Little Miss Sunshine- Arkin gives a strong performance that is both consistently humorous, but Arkin also effectively brings a great deal of his heart to his performacne.
1. Jackie Earle Haley in Little Children- In a part that could have portrayed in an overly cinematic or stylized way, Haley always keeps his portrayal far more effective by playing it always truthfully to his character.
Deserving Performances:
Ben Affleck in Hollywoodland
Michael Caine in Children of Men

Best Supporting Actor 2006: Jackie Earle Haley in Little Children

Jackie Earle Haley received his first Oscar nomination for portraying Ronald "Ronnie" James McGorvey.

Little Children is another film about the various stories of troubled suburbanites.

Jackie Earle Haley was originally a child actor in film like Breaking Away and Bad News Bears and his sequels. He like so many child actors though soon disappeared after growing up, after appearing in less and less of films of any sort of note. Haley though came back almost out of nowhere with first All the King's Men and than he fully made a come back by not only appearing in this role in a fairly prominent film, but also being nominated for an Academy award for his performance. Haley was nominated for, which actually is not a particularly popular Oscar character, portraying a man described as a child molester who served time for indecent exposure to a minor.

Ronnie is naturally ostracized by the community and constantly harassed by a former Police Officer, and the only person who offers him any sympathy is his mother. Jackie Earle Haley portrays this role, which very well could be portrayed in a numerous ways many which could be very over the top, for an entirely realistic fashion. Haley never for a moment tries to throw any sort of flash into his performance, like say Stanley Tucci did in the Lovely Bones. Haley instead tries to play the part as close to the bone as possible, much like in the same way Stuart Whitman portrayed a similar but also very different character in the Mark.

Haley never overplays or underplays any aspect of Ronnie in the film. He never tries to make him into an overly creepy character, even though Ronnie certainly guilty of acts deserving of such creepiness. He also does not ever try to make him into an overly sympathetic character even though he faces such harassment and only has a single person who cares for him. Haley does not try to make him either just a sympathetic or just a creepy man, instead he tries to show him as just a man with a serious dysfunction. Throughout the film, and every act of Ronnie's Haley only ever tries to show it as the natural actions of this man no matter what.

Ronnie actually is not used all that much in the film it takes him a great deal of time to appear in the film, and even after this he only has a few scenes of length that are devoted to his character. No matter what the scene is though Haley stays true to his portrayal of Ronnie. Whether it is one of his scenes that are to be more sympathetic with his mother, or one of his creepier scenes such as the end of his date. Haley always shows the same man either way. He always shows that whatever does this is just Ronnie as the complex man he is whether he is doing something horrible, or just being the son of a loving mother. Haley is consistently good in the role because he never tries to portray his character incorrectly to be more sympathetic or creepier. He never tries to make him a villain or a victim, and instead consistently is completely believable in the role and finds the truth of the troubled Ronnie. Haley is always believable in the role playing his role in the right fashion.

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