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Alternate Best Supporting Actor 2005: Ed Harris in A History of Violence

Ed Harris did not receive an Oscar nomination for portraying Carl Fogarty in A History of Violence.Ed Harris portrays the Philadelphia gangster who comes looking for diner owner Tom Stall who recently killed two men trying to rob his diner..

Best Supporting Actor 2011: Nick Nolte in Warrior

Nick Nolte received his third Oscar nomination for portraying Paddy Conlon in Warrior.Warrior details a winner take all mixed martial art tournament whose two main combatants are estranged brothers (Tom Hardy, Joel Edgerton) fighting for their own difficult reasons.

Alternate Best Actor 2011

And the Nominees Were Not:Ryan Gosling in DriveRobert Wieckiewicz in In DarknessMichael Fassbender in ShameMichael Shannon in Take ShelterBrendan Gleeson in The Guard..

Showing posts with label 2008 Alternate Supporting. Show all posts
Showing posts with label 2008 Alternate Supporting. Show all posts

Tuesday, October 2, 2012

Alternate Best Supporting Actor 2008: Results

5. Eddie Marsan in Happy-Go-Lucky- Marsan a good supporting performance through the film, and even helps Hawkins's performance come alive more in their scenes through the extreme differences of their characters.
4. Aaron Eckhart in The Dark Knight- I would not quite put his performance quite up there with Ledger and Oldman, but on his own he creates his character's journey effectively and gives a strong performance throughout the film.
3. Brad Pitt in Burn After Reading- This is a great performance from Pitt, and  it could not be a better comedic portrayal of an idiot.
2. Gary Oldman in The Dark Knight- Oldman gives a moving performance creating Commissioner Gordon into a fully fledged three dimensional character.
1. Ralph Fiennes in In Bruges- Good Predictions Lezlie and Michael Patison, feel free to name a year and a performance. Fiennes easily wins this year, and I must say I really did consider giving him the overall. I love every aspect of this performance every one of his scenes are amazing as he is both an imposing villain but as well an always hilarious character.
Overall Rank:
  1. Heath Ledger in The Dark Knight
  2. Ralph Fiennes in In Bruges
  3. Gary Oldman in The Dark Knight
  4. Robert Downey Jr. in Tropic Thunder
  5. Brad Pitt in Burn After Reading
  6. Josh Brolin in Milk
  7. Aaron Eckhart in The Dark Knight
  8. Jason Butler Harner in Changeling 
  9. Eddie Marsan in Happy-Go-Lucky
  10. Liev Schrieber in Defiance 
  11. Tom Cruise in Tropic Thunder
  12. John Malkovich in Burn After Reading
  13. Anthony Mackie in The Hurt Locker
  14. Ralph Fiennes in The Duchess 
  15. Richard Jenkins in Burn After Reading
  16. Liam Cunningham in Hunger
  17. Giancarlo Giannini in Quantum of Solace
  18. Viggo Mortensen in Appaloosa
  19. Bill Irwin in Rachel Getting Married
  20. J.K. Simmons in Burn After Reading 
  21. Kevin Bacon in Frost/Nixon
  22. Anil Kapoor in Slumdog Millionaire
  23. Jeff Bridges in Iron Man 
  24. Matthew McConaughey in Tropic Thunder
  25. Mark Strong in Body of Lies
  26. Michael Shannon in Revolutionary Road
  27. Jordan Prentice in In Bruges
  28. Michael Caine in The Dark Knight
  29. Nick Nolte in Tropic Thunder
  30. Morgan Freeman in The Dark Knight 
  31. Chin Han in The Dark Knight
  32. Ralph Fiennes in The Reader
  33. Jeffrey Wright in Quantum of Solace
  34. Russell Crowe in Body of Lies
  35. Haaz Sleiman in The Visitor
  36. Brian Geraghty in The Hurt Locker
  37. Eric Roberts in The Dark Knight 
  38. William Hurt in The Incredible Hulk
  39. Mathieu Amalric in Quantum of Solace
  40. Jack Black in Tropic Thunder
  41. Jay Baruchel in Tropic Thunder
  42. Jamie Bell in Defiance
  43. David Harbour in Revolutionary Road 
  44. Danny Mcbride in Tropic Thunder
  45. James Franco in Milk
  46. Tim Roth in The Incredible Hulk
  47. Sam Rockwell in Frost/Nixon
  48. John Malkovich in Changeling
  49. Oliver Platt in Frost/Nixon
  50. Jeremy Irons in Appaloosa  
  51. Greg Kinnear in Ghost Town
  52. Terrence Howard in Iron Man
  53. Jeffrey Donovan in Changeling
  54. Brandon T. Jackson in Tropic Thunder
  55. Emile Hirsch in Milk
  56. Ray Winstone in Indiana Jones and the Kingdom of the Crystal Skull
  57. Bee Vang in Gran Torino
  58. Chris Messina in Vicky Christina Barcelona
  59. John Hurt in  Indiana Jones and the Kingdom of the Crystal Skull (How dare this movie cause a bad John Hurt performance)
  60. Diego Luna in Milk
  61. Shia Laboeuf in Indiana Jones and the Kingdom of the Crystal Skull
I should note I only listed supporting performances that I at least remembered in some way.

Next Year: 1985 Supporting

Alternate Best Supporting Actor 2008: Brad Pitt in Burn After Reading

Brad Pitt did not receive an Oscar nomination for portraying Chad Feldheimer in Burn After Reading.

Burn After Reading is an okay comedy about a whole group of double crossing idiots, who have some sort of relation to the CIA.

Brad Pitt was in contention for two performances in 2008 this one, and the greater Oscar success The Curious Case of Benjamin. Both characters could possibly be described as a blank slate. Benjamin Button because Pitt's portrays him so dully that there does not seem to be even a though in his head. Chad well he also does not seem to have too many thoughts in his head either, but that is just find because there undoubtedly is plenty of meat perhaps. Anyway the point is Chad is an idiot quite possibly the dumbest character in the film.

Although one could argue almost everyone in the film is some sort of idiot, but Pitt's performance is the one that most revels in it to the greatest effect. Pitt makes no excuses and never winks in his performance with Chad and goes all the way into portraying Chad just the way he should be. Chad just is not very bright as he does his job as a gym trainer, and only seems qualified to do that. He does not understand much else, certainly not how to try to black mail a former CIA analyst Osbourne Cox (John Malkovich) with his worthless memoirs who he and his fellow Hard Bodies employee Linda (Frances McDormand).

All I can say with this performance is that although there is not much depth with this performance, there really should not be, there really is only two points to this performance. One is to be a proper idiot, and the other two be an extremely hilarious idiot. Really being a great idiot is a better art form than one might give credit for. After all one will find that such people as Adam Sandler, or Rob Schneider constantly fail at making an idiot funny. Pitt thought follows everything that one must do to be a hilarious idiot the way one needs to be.

Firstly his idiocy is pure Pitt shows wonderfully well that the only thing Chad knows about is the gym that's it, anything else is quite a jump for him and it requires extra effort. Importantly Pitt puts the fact that Chad although knows about the gym is not exactly smart there even acting still like a big dummy even when commenting about something he knows about.This particularly as when he becomes humorously frustrated when not finding a drink to suit him after having to run so far and can't even fully function until he has proper hydration, or his absolutely hilarious line of laughing proudly but in a still dimwitted when fashion when Malkovich's character thinks his bike is a Schwinn.

Secondly and very necessary is that Pitt makes Chad extremely likable. He has such a charm in the role, and he never feels annoying. This is for two reasons Pitt's makes the stupidity feel entirely natural as he never does stop being stupid, but as well he always makes Chad a doofus with a very good nature. Pitt never shows an malice in Chad's mischief, and there is always sense of great fun in his performance. One scene in particular is just one moment of laughter after another brought on by Pitt which is when he meets Malkovich, Pitt's portrayal of Chad is just brilliant as he so ineptly tries to be cool and mysterious and is anything but in the moment.

It is insanely funny how someone like Pitt who usually is portrayed as the coolest man around in his films, can be so amusingly lame. His faces as he tries to act like a tough blackmailer is just gold, and his hangdog expression after being punched in the face could not be better. Every moment Chad is on screen Pitt is doing something funny with this slow witted fellow. Even the act of watching a house for activity Pitt makes the most out of with his enjoyably simple gestures to his music while noticing something more important to him, but Pitt shows that no matter what Chad will keep listening to his music no matter what.

I would say my only problem with this performance is that it ends. I would say for the film's sake too soon as Pitt is by far the best part of the film, and I really say it is only an okay comedy because as soon as Pitt exits the film loses a lot of its entertainment value. I will say that Pitt could not go out better though in his quick almost blink and you miss it, but absolutely priceless reaction. It pretty much sums up Chad in the final moments of a man who even facing the worst will still stare forward with just a giant smirk on his face. This is a great performance from Pitt, and  it could not be a better comedic portrayal of an idiot.

Monday, October 1, 2012

Alternate Best Supporting Actor 2008: Ralph Fiennes in In Bruges

Ralph Fiennes did not receive an Oscar nomination for portraying Harry Waters in In Bruges.

Ralph Fiennes portrays In Bruges a character who mentioned frequently but not actually seen until fairly late into the film. Fiennes is heard in a voice over, and over the phone before we actually see him. Fiennes accent and voice he uses here is just terrific that is a perpetually angry sounding voice. It is curiously hilarious well still being incredibly intense a the same as Fiennes beautifully creates Harry with this voice before we even see him. He makes it obvious that Harry is not a person to be ticked off as well has a clear power even when he is far from the characters.

This is actually hard performance to begin with and what makes it so good, because everything about it is just so good, so I might as well start at the beginning which is his specific role in the film. He portrays the technical villain who at first order the hit man Ken (Brendan Gleeson) to kill the other hit man Ray (Colin Farrell) who botched a job. After Ken refuses it is up to Harry who sent the men to Bruges to go there himself to deal with them. Fiennes as a villain is terrific in being a constant clear violent threat that seems ready to kill or at least violently injure without delay.

Ralph Fiennes though brings the appropriate threat at all times as Harry whether it is overtly being especially forceful in the rather insane levels of anger Harry can get to when set off. He though is equally effective as being such when he is not overtly angry. One facial reactions I particularly love of Fiennes is when the pitiful thief  injured by Ray gets offended by Harry and gets ready to possibly attack him, Fiennes's face is just perfect. In just the single look there is joy even in Harry's face which suggests that Harry is pretty much ready to brutally beat this man, and enjoy it, if he wants to try and cross him.

Fiennes though does not just settle for being an excellent villain though with this performance, because he never stops being funny either. Fiennes is the master of every line that he says in this performance and is consistently hilarious no matter the situation. This is true when he is loudly launching into expletives at anyone who ticks him off in the slightest, where Fiennes never loses a second and turns this into an art form with Harry. It is equally true when he is a little quieter such as his distinct verbal beat down of the pathetic thief, or his absolutely perfect reaction when he gets offered an Uzi to do his job. Fiennes always turns every reaction and line into comedic gold.

What is amazing is that Fiennes does not just stop after being both a proper villain, and constantly amusing. Fiennes also goes all the way in making Harry a three dimensional character, as his want to kill Ray has nothing to do with hate. The reason Harry wants to kill him ray is that Ray accidentally killed a kid, and Harry feels that proper honor requires one to accept punishment for doing something so terrible. Importantly is that this is not some senseless thing that Harry is using for an excuse to kill Ray, rather Fiennes shows repeatedly that he deeply does believe it fully. He is particular terrific in his wonderfully bizarre scene where Harry tells his family he has to settle something for honor's sake. Fiennes leaves no question that Harry deeply believes in it, and Fiennes makes the scenes oddly poignant while still funny of course.

Fiennes coming in so late into the film as has quite something to live up to against Colin Farrell's and Brendan Gleeson's outstanding performances. Fiennes though is able to do this, and this is especially helped by his absolutely spectacular chemistry with Brendan Gleeson. Only lightly hinted at in terms of the dialogue, but Fiennes and Gleeson are outstanding in showing that the two have clearly a long friendship, and although at odd the two actors marvelously portray an undercurrent of understanding of each other that suggest that. I particularly love the scene where Ken tells Harry why he had to let Ray go, as well as why he will not fight Harry because he respects him too much to do so. Fiennes reaction is stunning as he is able to convey at the same time the anger he feels for Ken not doing what he told him to do, but in his same face is shows that Harry really is moved by Ken's respect for him.

He does something absolutely amazing in his final scene where he actually allows us to sympathize with Harry. The reason being that when Harry has to finally go all the way with his honor, Fiennes shows that Harry's beliefs where not just something his said. His quiet horrified reaction, followed quickly by his understanding of what must be done, is brilliantly played by Fiennes and actually quite moving because he makes it entirely genuine. This is just a great performance from Ralph Fiennes from beginning to end. He never wastes a single line in his entire performance, he never even wastes a moment. He is simply a joy to watch every single scene that he is, and he never for a moment makes this a simple portrayal as Harry could have been. He never settles to just be one thing, he instead is everything he could be in this part, a comedic tour de force, an imposing villain, a fascinating portrait of a man's honor, and even more.

Sunday, September 30, 2012

Alternate Best Supporting Actor 2008: Eddie Marsan in Happy-Go-Lucky

Eddie Marsan did not receive an Oscar nomination for portraying Scott in Happy-Go-Lucky.

Happy-Go-Lucky is about a persistently happy and optimistic woman Poppy (Sally Hawkins) who goes about doing various things in her life. Happy-Go-Lucky is very much basically the same type of film as Mike Leigh other film Naked in that they both follow their very particular protagonist in various events that are not necessarily connected. The difference is that is far far far lighter tone than Naked, which largely comes in the that Poppy is constantly positive opposed the constantly negative Johnny in Naked. I must say though that Naked is the superior film as the other characters, and events in Johnny's life just tend to be far more interesting. Only really one group of scenes worked as well as I would have liked.

Luckily the scenes that do work involve Eddie Marsan as Poppy's driving instructor. Scott is as angry as Poppy is happy. Marsan portrays Scott as always being at least a little angry, and really there are only different levels of anger he can be at. Marsan is quite effective in portraying the anger that is always bubbling underneath, in that Marsan's head always seems ready to explode. Marsan portrays it as something always beating down in Scott, and every line he delivers has a certain degree of brashness to it, even when he is just trying to teach. Marsan portrays that even when calm Scott is still slightly irritated and annoyed in some way. Marsan makes that it is not that Scott is just mad at the moment, but clearly that his anger issues have a long a history.

Important to these scenes though are of course Scott's reactions with Poppy as she stays constatnly playful and upbeat even though it continually ticks him off. Marsan and Hawkins have a terrific chemistry actually in that they are steadfast in their characters almost the entire time. Hawkins always stays upbeat in the scenes, always being playing with Scott and laughing her way through, as Marsan is persistent in Scott's never ending anger and the ease in which he gets mad from just the slightest thing Poppy says. Very importantly Marsan makes it clear that Scott's anger is really something he suffers from really, as he seems almost in some sort constant pain along with his anger, and really his anger is so severe he barely can even understand the fact that Poppy is having some fun with him.

The extreme dynamic between Hawkins and Marsan works well making there scenes consistently enjoyable. They are fairly consistent in these entertaining scenes until their final one together where Scott's anger finally get the better of him. Marsan is properly intense here as the always angry man gets to the point of being violently so. Marsan is strong here becuase he does not show that this is going anywhere else for Scott this is just allowing his emotional state to devolve to its purest form. Marsan is appropriately raw here as Scott just breaks down emotionally as he portrays all of Scott's hate in his life, as well as his sadness at once. Marsan is great in this scene and nails it showing just how troubled of a man Scott really is. This is a good supporting performance through the film, and even helps Hawkins's performance come alive more in their scenes through the startling differences of their characters.

Friday, September 28, 2012

Alternate Best Supporting Actor 2008: Aaron Eckhart in The Dark Knight

Aaron Eckhart did not receive an Oscar nomination for portraying Harvey "Two-Face" Dent in The Dark Knight.

Aaron Eckhart portrays Harvey Dent who at the beginning of the film is the new District Attorney who is the man who seems the most morally righteous. After all Batman must be a masked man who technically speaking breaks the law constantly, and Lieutenant Gordon must work with fellow police officers whose records are not exactly clean. Harvey is the blond haired good guy, and Eckhart pretty much plays him as exactly such at the beginning of the film.

Eckhart takes on the role in a suave charming approach to the part. Harvey Dent really is the ideal politician who actually believes what he stands for, and is the man his face seems to say that he is. He is not just a hallow shell in the suit, and Eckhart effectively carries himself as an official who honestly does care. There is a hint of his passion for his job being any sort of facade. His portrayal of the goodness in Dent is entirely natural, and never seems forced in the least.

Like Gary Oldman as Gordon, Eckhart is able to bring to life the inherit strengths of Dent's character. Eckhart gives a fairly controlled performance the emphasizes that Dent has, or least believes that he has everything all together. Despite the problems that seem to present himself constantly, including death threats, Eckhart portrays Dent as having a inherit drive, and calmness that shows that although Dent is aware of the problems around him he always does his best to take it in stride. He has a power and passion within his performance that expresses well his good intent.

Harvey Dent does not keep his calm and cool reserve through the film though importantly there are relatively small moments that Eckhart puts into his performance that indicate the eventual path his character will go. These moments really are not really all that negative but rather show small little kinks in his white armor. Of course these are only moments of frustration that Eckhart does bring out convincingly as part of Dent, and making it so that Dent really is of course humans flaws and all. 

As the film proceeds and the Joker's reign of terror comes very close to home for Dent, there is a much darker side shown by Eckhart as he interrogates one of Joker's men. Eckhart brings out a great intensity in this scene that is very brutal. Important to this scene though is that Eckhart brings it in with the calmer Dent of before. Eckhart does not plays the intensity here as something that comes from his stressed emotional state, far more than any sort of insanity. Again though Eckhart again alludes to more flaws within Dent efficiently without comprising the beginning of his performance.

Of course the whole Harvey Dent character is changed completely after half of his face is burned off, and his fiancee is killed by the Joker. His change into Two-Face is of course instant as it is caused by a sudden act of violence. Eckhart actually manages to earn the change by having the appropriate hints early on as well as having a bit of transition just after the accident. In his first post change scene Eckhart is excellent in portraying the weight of trauma on Harvey as he becomes a bitter man, and the goodness of him replaced with only with anger fueled by his pain.

Eckhart is excellent in his moment with Oldman, as he portrays a complete lack of hope losing all of the passion shown at the beginning. He transforms ever lower after an "inspirational" talk from the Joker. Eckhart makes this transformation work as well though as it is not that Joker turns him evil from his talk, but rather just allows him to focus his anger into a path of vengeance. Eckhart is very strong in his moments toward the end of the film as Dent moves forward in his path of revenge only stopping to flip a coin to determine the fate of his victims.

His scenes at the end show not a villain like Ledger as the flamboyant Joker, but instead a deranged man who has no higher plan past his 50/50 judgment. Eckhart is very striking in the end showing the psychotic derangement of Harvey at the end that is only filled by his hatred, but importantly he always has the underlying sadness in his performance exemplifying the fact that it all comes from his loss. It is powerfully chilling end to his path as Harvey, as he marvelously realizes his character's entire decay down to his lowest end. I would not quite put his performance quite up there with Ledger and Oldman, but on his own he creates his character's journey effectively and gives a strong performance throughout the film.

Thursday, September 27, 2012

Alternate Best Supporting Actor 2008: Gary Oldman in The Dark Knight

Gary Oldman did not receive an Oscar nomination for portraying Lieutenant and later commissioner James Gordon in The Dark Knight.

Commissioner Gordon has been portrayed in live action before by Neil Hamilton in the 60's Batman series and film, and later by Pat Hingle in Tim Burton's Batman and its sequels. In both of these versions Gordon is portrayed as a completely incompetent moron who might probably forget to breath at times. One of the many things that I liked about the new films is that Gordon was finally allowed to be a far more complex and competent character, and it was probably made all the better by having the great Gary Oldman take on the role.

I should note I like his performance as the character in Batman Begins and he set him up well there, but here in this film is really where we get the meat of the character. Oldman sits as the most understated performance in this film, although it might not be saying a lot when your acting against a man in an armored suit and a cape,  a deranged clown, and a man with half of his face fried off, but really this is a very subtle performance by Oldman. Frankly Oldman is very very important to the film and his take on the character really helps amplify and in a way allow some of the other performances in the film.

Oldman takes a very down to earth approach in his role, and in a way is able to ground the film by doing so. His Gordon is very different as he presents a far more intelligent man, in which Oldman creates an honest depiction of what would be a man in his situation. Oldman never overplays a moment as Gordon moves through the film, and is effective at fulfilling the role of both the confidant of Batman, but as well a man who must do his own job that can be quite problematic at times.

As the confidant Oldman is excellent by quietly portraying the appropriate intelligence in his role, but Oldman does this especially well in that he brings it about realistically. He shows Gordon to be a smart man always trying to do his very best in his job as a police officer, but properly Oldman conveys the stress that really limits Gordon in a way. Oldman has the right degree of a passion that does bring about within Gordon that pushes him forward to take the risks he does, but the weight of the decisions is always made quite clear by Oldman's performance. 

A very important part of his character is that Gordon has to work within the confines of the police to try to take on the mob and eventually the Joker as well, which also involves working with not necessarily the most honest of individuals in his police department. When defending himself Oldman again does not try to portray Gordon as this perfect man but rather is far more realistic and blunt in his performance. Oldman subtly shows that Gordon does has cares, and very real frustrations over his unfortunate concessions he must take, but at the same time Oldman is very forceful in that Gordon takes no time to defend what he does at least for a long while.

Oldman stands firm in his place in the film as the man who feels everything happening around, every victory, and every loss. These are of course throughout the film and Oldman is pushed through the film at a rapid rate as he is a supporting character, yet he is always very effective in putting a very human reaction on the events during the film. Oldman never is given a long time yet he gives the moments the power they deserve, and really they build his own character as a person. Even though his family is not used very much, through Oldman genuine performance of Gordon as a person it really does not matter in the for the emotional impact in the end.

Although this is the least flashy of the main performance I must say it sticks me with just as well as even Heath Ledger's tremendous performance. The is very much helped by Oldman excellent depiction of the guilt at the end of the film that really gains weight on re-watches. Again Oldman is not given a lot of time but he is able to convey in these small moments the stress and pain he feels for the results that have been partially related to his actions. This all leads to the very last scene of the film where Oldman is absolutely amazing. He succeeds in entirely using everything he established with the rest of his performance to make the final moments very powerful. 

Oldman is absolutely heartbreaking in his final moments as he so well realizes the sadness and horror in his pleading at the end. Oldman brings the pains of Gordon into these moments magnificently. These pleads are not that of a two dimensional stock character, that in the wrong hands even this Gordon could have possibly been. In fact even in a fairly descent performance that served the role and no more, would not have had the incredible impact that Oldman's performance does because he really does make Gordon into a three dimensional person. This is a great performance by Gary Oldman that might not get recognition due to its understated nature but certainly deserves it.

Wednesday, September 26, 2012

Alternate Best Supporting Actor 2008

And The Nominees Were Not:

Aaron Eckhart in The Dark Knight

Gary Oldman in The Dark Knight

Ralph Fiennes in In Bruges

Brad Pitt in Burn After Reading

Eddie Marsan in Happy Go Lucky

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