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Alternate Best Supporting Actor 2005: Ed Harris in A History of Violence

Ed Harris did not receive an Oscar nomination for portraying Carl Fogarty in A History of Violence.Ed Harris portrays the Philadelphia gangster who comes looking for diner owner Tom Stall who recently killed two men trying to rob his diner..

Best Supporting Actor 2011: Nick Nolte in Warrior

Nick Nolte received his third Oscar nomination for portraying Paddy Conlon in Warrior.Warrior details a winner take all mixed martial art tournament whose two main combatants are estranged brothers (Tom Hardy, Joel Edgerton) fighting for their own difficult reasons.

Alternate Best Actor 2011

And the Nominees Were Not:Ryan Gosling in DriveRobert Wieckiewicz in In DarknessMichael Fassbender in ShameMichael Shannon in Take ShelterBrendan Gleeson in The Guard..

Showing posts with label Omar Sharif. Show all posts
Showing posts with label Omar Sharif. Show all posts

Wednesday, July 18, 2012

Alternate Best Actor 1965: Results

5. Michael Caine in The Ipcress File- Caine uses his unique screen presence and on screen marvelously here to make Harry Palmer a down to earth, and very likable hero.
4. Omar Sharif in Doctor Zhivago-This really is not the usual performance for an epic, but Sharif makes the most of his character and successfully carries the film.
3. Lee Van Cleef in For A Few Dollars More-  It is a performance of quiet simplicity, and in this simplicity is where the incredible strength of this performance lies.
2. Sean Connery in The Hill- This is an excellent showcase of Connery's talent as he not only utilizes his more commonly found command of the screen, but as well effectively shows us that he is fully capable of creating an emotionally resonate character portrait.
1. Terence Stamp in The Collector-This is a great performance by Stamp as both a humane portrait of a lonely man, but at the same time a convincing portrayal of a man who seems to prefer the dead over the living. This is again an incredible year, and again Stamp wins for now but Connery, Steiger, and Burton are not far behind.
Overall Rank:
  1. Terence Stamp in The Collector
  2. Richard Burton in The Spy Who Came in From The Cold
  3. Rod Steiger in The Pawnbroker
  4. Sean Connery in The Hill
  5. Lee Van Cleef in For A Few Dollars More
  6. Omar Sharif in Doctor Zhivago
  7. Oskar Werner in Ship of Fools
  8. Michael Caine in The Ipcress File
  9. Frank Sinatra in Von Ryan's Express
  10. Laurence Olivier in Othello
  11. James Stewart in The Flight of the Phoenix
  12. Lee Marvin in Cat Ballou
  13. Clint Eastwood in For A Few Dollars More
  14. Sean Connery in Thunderball
  15. Frank Finlay in Othello
  16. Jason Robards in A Thousand Clowns
Next Year: 2011

Monday, July 16, 2012

Alternate Best Actor 1965: Omar Sharif in Doctor Zhivago

Omar Sharif did not receive an Oscar nomination for portraying Dr. Yuri Andreyevich Zhivago the titular character of Doctor Zhivago.

Doctor Zhivago is the excellent follow up by David Lean to Lawrence of Arabia. This film certainly differs in many ways from that film the biggest being the lead character. In Lawrence of Arabia the main character of T.E. Lawrence absolutely controlled the film, and as made the world notice his extraordinary measures. Doctor Zhivago on the other hand though is not a particularly active individual being a man who is most acted upon. He does not change the course of Russia, he in fact can barely control his own existence and is forced to move along with the changes of Russia. Also I suppose I should note that unlike O'Toole Sharif was not nominated for his leading role despite winning the golden globe.

Omar Sharif has a difficult task which is to carry this over three hour long epic on his shoulders even with his character being only the most common man at times. Sharif really takes this fact in stride though, and does not try to be anything more than what Zhivago should be. Funny enough originally Peter O'Toole was the first choice to portray Zhivago, and the fact that O'Toole turned it down was certainly a good thing. One characteristic that seems clear in Zhivago is meekness, and if there is one thing that Peter O'Toole most certainly is not is meek. Sharif though never tries to be more than what Zhivago should be and makes the most of his character despite being such a meek man.

Omar Sharif gives a very understated performance in the lead role that stresses the fact that Zhivago is not an extraordinary man by any measure. Rather just a man trying to live his life particularly early on in the film as he goes through what is expected of him marrying the woman he was posed to marrying finding a properly supportive profession as a doctor, even though he desires to be remembered as a poet, and watching all the events around him only as an observer. Sharif is very good at being this average man because he so honestly portrays the part. He does not try to fancy up what does not need to be, there is a life in this man, but only really a life that desires to live not much more than that.

Sharif effectively reflects a successful, but in many ways, average man when it comes to viewing the changes in Russia that come from the revolution. Sharif shows his reactions, at least at first, to be mostly astonishment at what is going on around as Yuri's interest never really is the revolution at hand. He just is a bystander and he only reacts to the various occurrences taking place in Russia never once taking action to implement any sort of change. When he faced with losing most of his house to revolutionary changes he acts almost slight bemusement at the idea, Sharif showing that Yuri is quite good in taking it in stride at first. The changes do slowly wear on him such as when the state takes more and more of him.

Sharif is good in showing the way that even a man who tries to take things for the best even at the worst can't  deal with the suffering caused by all of the traumatic events in Russia. Sharif still does not show that Yuri changes his nature by any means he is still he same modest man, but there is a growing sadness is in performance. It is all very low key and mostly involves small quiet gestures by Sharif, but he is quite effective as showing the emotions of a sane man in an insane world. For example his scene with Tom Courtenay's Strelnikov, Courtenay of course is electrifying in the scene with his intense depiction of the dehumanization of a man, but Sharif is just as important in showing the completely human and heartbreaking reaction as he shows Yuri's sadness and disbelief over the change in the man.

Of course I should mention that a pivotal part of the film is the central love story between Yuri and Laura (Julie Christie). Now Sharif here is quite excellent as he builds up the love of Yuri, and again Sharif does not overplay this. Early in the film he is good as we see him notice her, and Sharif conveys an unshakable feeling for the woman who Yuri does not even know who she is. Of course they do meet, and Sharif is very good in showing the love that slowly grows with him. He never comes out with it obviously, and at first they do not act upon since they are both married. Even when they finally do have an affair Sharif still stays true to the character, and leaves much unsaid. Sharif and Christie make their relationship something special because both stay subtle and make it far more truthful than if they had conveyed the emotions in a broader fashion.

It would have been very easy for many actors to try and portray the character in a different more constantly active, and could frankly have been trying to steal scenes away from the likes of Rod Steiger and Tom Courtenay. That would have been the wrong approach though. In one scene in the film Zhivago states that he would rather just live life rather than try to be the surgeon for the world, and that is very much Sharif's portrayal. He does not try to control any scene of the film with his performance, but rather he stands firm in his realistic portrayal of an ordinary man in an extraordinary situation. This really is not the usual performance for an epic, but Sharif makes the most of his character and successfully carries the film.

Friday, July 13, 2012

Alternate Best Actor 1965

And the Nominees Were Not:

Omar Sharif in Doctor Zhivago

Lee Van Cleef in For A Few Dollars More

Terence Stamp in The Collector

Sean Connery in The Hill

Michael Caine in The Ipcress File

Tuesday, October 25, 2011

Best Supporting Actor 1962: Results

5. Telly Savalas in Birdman of Alcatraz- This performance is nothing becuase his character is nothing.
4. Victor Buono in What Ever Happened to Baby Jane?- Buono gives an effectively humorous performance that is not a whole lot but creates some nice little moments when on screen.
3. Ed Begley in Sweet Bird of Youth- Although the Southern Political Boss is an old role, and Begley does not reinvent anything about it he everything the boss should be from the charisma to the cruelty. 
2. Terence Stamp in Billy Budd- Stamp gives an effective performance that is filled with charm and an incredible ease that fully realizes the purity of his character.
1. Omar Sharif in Lawrence of Arabia- Good Prediction Dinasztie and Moviefilm. Sharif gives a strong supporting performance that works in great harmony with Peter O'Toole amazing work as the lead. Sharif perfectly contrast his characters transition to sanity and understanding, as O'Toole shows Lawrence's transition into insanity and sadism.
Deserving Performances:
Peter Sellers in Lolita
Jose Ferrer in Lawrence of Arabia
Claude Rains in Lawrence of Arabia

Monday, October 24, 2011

Best Supporting Actor 1962: Omar Sharif in Lawrence of Arabia

Omar Sharif received his only Oscar nomination so far for portraying Sherif Ali ibn el Kharish in Lawrence of Arabia.
What is so great about Lawrence of Arabia is its entire scope and that it never only settles on the central character study of Lawrence (Peter O'Toole), but it always manages to give an appropriate amount of time to the various supporting players who are well realized by the large cast. Although the film is filled with such actors well liked by the academy as Anthony Quinn, Claude Rains, Alec Guinness, Arthur Kennedy, and Jose Ferrer the only one of the supporting players nominated was Omar Sharif whose first English language film was this film. This certianly makes since as Sherif Ali who has an interesting transformation that is the opposite of Lawrence's central one of the film. Although it is not given an enormous amount of time through the film's strong script, and especially Sharif's performance it is fully realized. In his first scene Omar Sharif appears first in the film as Sherif Ali mercilessly kills a fellow Arab, Lawrence's guide, simply because the man was the wrong tribe and drinking from his well.

Sharif is interesting in Ali first scene and shows absolutely no remorse over his killing. This important because Sharif shows with his lack of empathy that Ali's behavior is simply commonplace, he really sees no reason for an alternative. Also in this first scene Ali acts with certain interest as well as a very much unimpressed quality toward Lawrence. Sharif again establishes well Ali's whole past suggesting an intelligent man as well as one who is very skeptical of both the British's help and their longtime goals. 

In their move to take Aqaba Sharif makes Ali act as an interesting contrast to Lawrence. Sharif shows that Ali is very much doubtful of Lawrence's plan, and his whole overly optimistic and passionate attitude. Sharif always plays down all of these scenes. He never acts as if this is some wonderful plan instead Sharif shows Ali overall cynicism involving the plan and Lawrence as well. He also stays consistently realistic in showing how although doubtful of the plan Ali still wants the plan to work therefore acts as a teacher to Lawrence showing his knowledge of the land.

In the whole of the Aqaba sequence Sharif undergoes a transition of both accepting of the idea, as well as excepting Lawrence as a man who honestly wants to help them. It is a subtle and effectively portrayed transition by Sharif where he never overplays it. He instead shows actually a slow removal of a sort of defense against outsiders he had from before, and Sharif naturally shows that Ali begins to accept Lawrence as one of their own. Sharif never pushes this change instead carefully showing it, which is essential since his defense against Lawrence breifly returns when Lawrence must leave to report on their success, it returns not in an overriding fashion but rather as Sharif showing Ali realistically was not completely sure of Lawrence just yet.

Later in the film it is interesting because Sharif shows that Ali no longer is a cynical almost adversary to Lawrence but his greatest confidant. It is interesting because Ali concerns change over from Lawrence's ability to Lawrence's mental state since Lawrence becomes increasingly involved with his own idea that he is some sort of savior. Sharif does not play it as finding Lawrence insane and treating him as such, but instead Sharif shows that from his time with Lawrence he does have an honest care for the man. Sharif is terrific in playing opposite of O'Toole being able to stay with O'Toole incredible performance as well as showing how Ali attempts to act as both a friend and reality to Lawrence.

The most interesting aspect of Sharif's performance though comes near the end of the film where Lawrence as become overwhelmed with sadism and revenge against the Turks. Sharif shows a very much changed man from the man who had originally killed without caring from the film, which is the opposite transition of Lawrence's. Sharif conveys this change superbly owing to his own horror at Lawrence's blood lust as well as his increased understanding of the fault of tribal politics. Sharif effectively portrays this change making Ali the moral center of the film at the end. He is particularly great in the massacre scene where Ali cannot even believe the degree of Lawrence's change and hatred. Sharif though ends on a high note as he shows Ali honest struggle, and heartbreaking realization in seeing the change in his friend. This is a great performance by Omar Sharif that effectively realizes Sherif Ali as a character, as well manages to keep his presence known despite the overwhelming strength of the lead performance.

Thursday, October 20, 2011

Best Supporting Actor 1962

And the Nominees Were:

Terence Stamp in Billy Budd

Telly Savalas in Birdman of Alcatraz

Ed Begley in Sweet Bird of Youth

Omar Sharif in Lawrence of Arabia

Victor Buono in What Ever Happened to Baby Jane?

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