Best Supporting Actor 1959: Results

5. Ed Wynn in The Diary of Anne Frank- Ed Wynn although not the most memorable of the cast still gives a performance showing another honest portrait of a man living in a terrible situation, and he does add a little humor nicely enough when he can.

4. Robert Vaughn in The Young Philadelphians- Although Vaughn most gives functional work for the most of the film he makes up for it in two pivotal scenes where he nails the pain and trauma that his character is going through.

3. Arthur O'Connell in Anatomy of a Murder- O'Connell has a nice supporting turn offering a charming and warm presence in the film, and as well succeeds with the slightly more dramatic material also needed of him.

2. Hugh Griffith in Ben-Hur- Griffith is the comic relief purely and simply and he suceeds completely at being so. In his few scenes he successfully lightens the mood, and offers some much needed laughs for his film.

1. George C. Scott in Anatomy of a Murder- George C. Scott easily takes the win though in what one could almost argue is the simplest character of the nominees yet Scott makes it so he has the greatest impact out of all the nominees. His performance as Dancer is an intense piece of acting that absolute holds your attention on screen. Every second he has Scott makes the most of, and is the perfect rival for James Stewart in that film.

Deserving Performances:
Joseph Schildkraut in The Diary of Anne Frank
Stephen Boyd in Ben-Hur
Laurence Olivier in The Devil's Disciple
James Mason in North by Northwest

Read More

Best Supporting Actor 1959: Ed Wynn in The Diary of Anne Frank

Ed Wynn received his only Oscar nomination for portraying Albert Dussel in The Diary of Anne Frank.

The Diary of Anne Frank is an ensemble filmed caused by the fact that it is a group of character in their cramped hiding place trying to deal with each other. Only two were nominated from the ensemble though Shelley Winters in her Oscar winning role as Petronella Van Daan, and Ed Wynn as the dentist Albert Dussel who arrives later to join in their hiding place. Wynn's nomination probably was helped by the fact that Joseph Schildkraut, who gives the best performance in the film in my opinion, most likely suffered category confusion, and Wynn was likely helped by the fact that he plays against type.

Ed Wynn was best known for his comedic work, and it is almost rather hard to believe that one would ever expect for Wynn to play anything but comedy. This is because the fact that Wynn not only just naturally looks funny, but his voice has to be one of the funniest natural voices ever heard on film. Wynn though proves himself capable of giving a dramatic performance here, although it should be noted it is a dramatic performance with comedic undertones. Dussel is suppose to be just a normal man, but has just some rather fussy habits that the film attempts to derive humor from.

Ed Wynn actually is effective in his role though, even though it is most certainly limited by the very nature of the ensemble film. A funny thing about this performance actually is that Wynn seemed to have to tone down his voice and his face, since he stays mostly quiet in the film almost to prevent his comically sounding voice from coming out, as well his facial expressions are always withdrawn as well almost again to hide the fact that he just is rather funny looking when wide eyed. This is only really noticeable though if you have seen many of Ed Wynn's other performances, as I have, and Wynn actually does a good job of keeping realism in his performance as Dussel.

Ed Wynn best scenes though are his quietest ones especially his very first scene where he sadly tells of a list of many Jewish people who have been taken away by the Nazis. Wynn performance here is not overly emotional yet rather there is a haunting quality because he only sadly tells of the facts that cannot be ignored. Wynn never is nearly as effective as his initial scene as he becomes more of just part of the ensemble. Yet Wynn does not becomes forgotten in the rest, and still has a certain presence in their scenes even if it is less than say Winters or Schildkraut.

Wynn comes in and out of focus scenes with most small reactions that for the most part are appropriate. Really his leas effective moments come in when he freaks out near the end of the film, only really because his voice comes out more, but still Wynn presents Dussel as a man honestly troubled by his terrible situation. Wynn casting though likely did come from the fact there is some humor involved with the part involved in just his fussiness. Wynn is able to add some humor, while still keeping it within the tone of the actually film. Wynn actually does add a nice presence to the film overall with his humor, and genuine emotions he does bring to the part. It is not the most memorable, or best performance in the film but it is a good one.

Read More

Best Supporting Actor 1959

And the Nominees Were:

Arthur O'Connell in Anatomy of a Murder

George C. Scott in Anatomy of a Murder

Hugh Griffith in Ben-Hur

Ed Wynn in The Diary of Anne Frank

Robert Vaughn in The Young Philadelphians

Read More