Best Supporting Actor 1966: Results

5. Mako in The Sand Pebbles- Mako gives a good realistic performance. His role is limited, and his character is frankly cut off just when he is becoming interesting.

4. James Mason in Georgy Girl- Mason although has a thankless role in many ways gives a charming, and dryly comic performance, that manages to turn his character into an actual man and not just a creep as he easily could have been.

3. Robert Shaw in A Man For All Seasons- If I was giving the award to my favorite actor Shaw would take this, with close competition from Mason. Nevertheless Shaw gives a strong performance in only two scenes realizing Henry VIII's distinct personality marvelously.

2. George Segal in Who's Afraid of Virginia Woolf?- Segal has an extremely thankless role especially compared to the flashiness of the performances around him, but Segal stays true to his part and creates an effective realistic portrait of a man in the strange situation of the film.

1. Walter Matthau in The Fortune Cookie- Walter Matthau stands on top for this with his consistently hilarious performance. Matthau never wastes a moment as his shyster lawyer deriving comedy from every facet of his character and makes the film.

Deserving Performances:
Richard Attenborough in The Sand Pebbles
Richard Crenna in The Sand Pebbles
Lee Van Cleef in The Good, The Bad, and The Ugly
John Hurt in A Man for All Seasons

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Best Supporting Actor 1966: Mako in The Sand Pebbles

Mako received his only Oscar nomination for portraying Po-han in The Sand Pebbles.

It is strange that Mako was the one who received the nomination for this film and not Richard Attenborough who gives a very memorable performance as a U.S. Navy mate who begins a tragic relationship with a native woman in China, and even won the golden globe for his performance. I suppose the academy just has never cared for Attenborough as an actor for some strange reason. Instead they chose to nominate Mako in his role as Po-han one of the Chinese who work in the engine room on the ship.

Po-han is just one of the Chinese who work on the ship until Steve McQueen's machinist Holman takes him under his wing. Mako is fine early on showing a sympathetic face to Holman. He just wants to help Holman unlike some of the other Chinese who like to do things their way. Most of his early scenes make of just small reactions of concern, and surprise while dealing with Holman. Mako is entirely realistic, but really he does not make too much of an impression either.

After Holman brings him under his wing Mako gets some more substantial scenes such as when Holman teaches him to run the ship's engine. Mako again is appropriately realistic, and is actually quite effective in showing Po-han's learning. He also has a low key charm in his performance that does make Po-han endearing in his own small way. This is still not incredible work by Mako but it is absolutely solid since it fulfills the role completely.

Mako continues his portrayal in the same fashion as Po-han boxes one of the racist men on the ship. He is again good, properly realistic, and we can easily sympathize with him through Mako's likable portrayal. Again it is not a whole lot but it also is all that the film asks of him. Po-han is not a tremendous role, but Mako really is perfect in the role.

 He does his very best to be a character not just a stereotype as he easily could have been, and we most certainly feel for him all too well in his final scene. It is a good supporting performance not the best in the film, and certainly not the most memorable. After all Mako gets cut off just as his character is really becoming interesting, nevertheless Mako does absolutely fulfill his role, and deserves credit for doing so.

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Best Supporting Actor 1966

And the Nominees Were:

Robert Shaw in A Man For All Seasons

James Mason in Georgy Girl

Walter Matthau in The Fortune Cookie

George Segal in Who's Afraid of Virginia Woolf?

Mako in The Sand Pebbles

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