Best Supporting Actor 1947: Results

5. Charles Bickford in The Farmer's Daughter- Bickford is certainly fine in his part, but nothing special. He perhaps could have stolen some scenes but he never is able to.

4. Thomas Gomez in Ride the Pink Horse- Although his part is fairly limited Gomez gives an enjoyable and charming performance that only adds to his film.

3. Edmund Gwenn in Miracle on 34th Street- Gwenn is not really a definitive Santa Clause by any means, and this is not any sort of great performance, but it is a good one where Gwenn makes Santa Clause just as kind and warm as he should be.

2. Robert Ryan in Crossfire- Robert Ryan plays the sort of role he became best known for and the truth is there is a reason he became known for this sort of role, because he was very good at it. This is not his best variation on this sort of character though.

1. Richard Widmark in Kiss of Death- There is no question for me who wins this year though as Widmark easily gives the most memorable and most effective performance out of the nominees. Widmark becomes basically invisible in his chilling creation of Tommy Udo a psychopath who only ever finds joy from what he does.

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Best Supporting Actor 1947: Charles Bickford in The Farmer's Daughter

Charles Bickford received his second Oscar nomination for portraying Joseph Clancy in The Farmer's Daughter.

The Farmer's Daughter tells of a Swedish American woman Katie Holstrom (Loretta Young) who moves her farm to the big city, and after being the maid to political power broker Agatha Morley(Ethel Barrymore), and her U.S. Representative son (Joseph Cotton).

Charles Bickford plays Joseph Clancy the majordomo to Agatha Morley, and her son. Clancy is a loyal servant who wants what is best for the family, but also proceeds eventually to become a friend to Katie as well. Clancy most of the time is just in the background of the film making the occasional goodhearted comment. He only does a little more when he is encouraging Katie to pursue her plans to run for political office despite the opposition of those around them.  

I frankly do not know why Bickford was always put in what are suppose to warm roles, as I always feel he comes off as a little to rough of an individual for it to really seem entirely natural. This is not to say Bickford is bad, because he is not at all bad really. He is there he says what he has to with certainly a degree of feeling and determination but it never amounts to anything all that special or even all that interesting.

I think this part could have been something a little more special as I think it could have been a scene stealing part potentially in someone with a more natural comedic trivalent like say Charles Coburn for example, but as it is Bickford just never makes himself the center of attention even when he has the chance. I think this character could have been very enjoyable and warm presence in the film, but Bickford never really gets over his demeanor he carries in basically of his roles.

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Best Supporting Actor 1947

And the Nominees Were:

Robert Ryan in Crossfire

Richard Widmark in Kiss of Death

Edmund Gwenn in Miracle on 34th Street

Thomas Gomez in Ride the Pink Horse

Charles Bickford in The Farmer's Daughter

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Best Supporting Actor 1943: Results

5. Akim Tamiroff in For Whom the Bell Tolls- Tamiroff gives a far too simple approach as Pablo, and fails to bring the depth to part that could have easily been found.

4. Charles Bickford in The Song of Bernadette- Bickford is satisfactory enough as the priest who eventually comes around to helping Bernadette, particularly when he is doubting. His character never requires much though and frankly his more tender scenes seems a bit rough around the edges.

3. J. Carrol Naish in Sahara- Naish has an extremely limited role but manages to create a sympathetic portrait as well gives a passionate speech. Not much but he does a fine job.

2. Claude Rains in Casablanca- Rains gives an extremely flashy always trying to steal a scene no matter how he does it. Although he certainly is enjoyable to watch I just wish he was a little less obvious about the whole thing. 

1. Charles Coburn in The More the Merrier- Coburn easily wins this year for me who I think does what Rains tries to do without being so obvious. Coburn gives a great comedic performance. He is completely steals every single scene he is in and makes the most of every opportunity he has with his character.

Deserving Performances:
Dana Andrews in The Ox-Bow Incident

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Best Supporting Actor 1943: Charles Bickford in The Song of Bernadette

Charles Bickford received his first Oscar nomination for portraying Father Peyramale in The Song of Bernadette.

The Song of Bernadette tells of the life of Saint Bernadette Soubirous.

 Charles Bickford plays the local priest who is very skeptical of Bernadette's sightings of a divine woman. Bickford's performance is not a particularly complex character. He is at first very hard on Bernadette since he does not believe her story. Bickford I suppose is appropriately strict at the begining of the film. Later on he shows his faith though when he eventually comes around to believing Bernadette.

There really is not any sort of transition to be seen in Bickford's performance nor is there one written though. The priest's change is almost instant. Bickford never becomes that interesting though after he becomes on her side he becomes a passionate supporter, and Bickford is appropriately passionate. When Bickford is suppose to be tender though Bickford seems always a little too rough still to really bring the right emotions to the situations near the end of the film. Bickford overall really is not bad but his part is too limited to ever really be compelling.

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Best Supporting Actor 1943

And the Nominees Were:

Claude Rains in Casablanca

Akim Tamiroff in For Whom the Bells Tolls

Charles Coburn in The More the Merrier

J. Carrol Naish in Sahara

Charles Bickford in The Song of Bernadette

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