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Alternate Best Supporting Actor 2005: Ed Harris in A History of Violence

Ed Harris did not receive an Oscar nomination for portraying Carl Fogarty in A History of Violence.Ed Harris portrays the Philadelphia gangster who comes looking for diner owner Tom Stall who recently killed two men trying to rob his diner..

Best Supporting Actor 2011: Nick Nolte in Warrior

Nick Nolte received his third Oscar nomination for portraying Paddy Conlon in Warrior.Warrior details a winner take all mixed martial art tournament whose two main combatants are estranged brothers (Tom Hardy, Joel Edgerton) fighting for their own difficult reasons.

Alternate Best Actor 2011

And the Nominees Were Not:Ryan Gosling in DriveRobert Wieckiewicz in In DarknessMichael Fassbender in ShameMichael Shannon in Take ShelterBrendan Gleeson in The Guard..

Showing posts with label Max von Sydow. Show all posts
Showing posts with label Max von Sydow. Show all posts

Wednesday, September 12, 2012

Alternate Best Actor 1960: Results

5. Robert Mitchum in The Sundowners- Mitchum gives as usual a good performance that always stays very light but fitting to the film.
4. Max von Sydow in The Virgin Spring- Sydow although takes awhile to have his moment is quite powerful in his depiction of a father's grief and vengeance.
3. Marcello Mastroianni in La Dolce Vita- Mastroianni acts as an effective guide as for the audience through the decadence in Rome, as well as gives an effective portrait of a man slowly giving in to it.
2. Albert Finney in Saturday Morning and Sunday Night- Finney gives a raw and powerful performance as a frustrated young man who could care less of societal expectations.
1. Anthony Perkins in Psycho- Congratulations to both Michael Patison and Maciej for their correct predictions please feel free to name a year and a performance. This year was incredibly close for me not between Finney and Perkins, but between Perkins and Olivier. Perkins after all gives an outstanding performance as Norman Bates being truly terrifying in his chilling portrait of a deranged man. I still will have Olivier remain the winner for the moment since I really need to watch the Entertainer again to be sure because the two are definitely close. It would be easy to hand Perkins the win since he is amazing, but I could not cheat my favorite actor like that.
Overall Rank:
  1. Laurence Olivier in The Entertainer
  2. Anthony Perkins in Psycho
  3. Burt Lancaster in Elmer Gantry
  4. Albert Finney in Saturday Morning and Sunday Night
  5. Jack Lemmon in The Apartment
  6. Marcello Mastroianni in La Dolce Vita
  7. Kirk Douglas in Spartacus 
  8. Max von Sydow in The Virgin Spring
  9. Dean Stockwell in Sons and Lovers
  10. Spencer Tracy in Inherit the Wind
  11. Yul Brynner in The Magnificent Seven
  12. Robert Mitchum in The Sundowners
  13. Rod Taylor in The Time Machine
  14. Burt Lancaster in The Unforgiven 
  15. Paul Newman in Exodus
  16. Jules Dassin in Never on Sunday
  17. Frank Sinatra in Ocean's Eleven  
  18. Stuart Whitman in Murder Inc.
  19. Fredric March in Inherit The Wind
Next Year: 2003

Friday, September 7, 2012

Alternate Best Actor 1960: Max von Sydow in The Virgin Spring

Max von Sydow did not receive an Oscar nomination for portraying Tore in The Virgin Spring.

The Virgin Spring tells the story of a prosperous man who avenges his daughter after her murder and rape at the hands of a group of herdsman.

Max von Sydow portrays the prosperous man who actually has a very simple role for about two thirds of the film. In the scenes before his daughter is murdered von Sydow is only briefly in the film. He is properly stoic as the patriarch of the household. In his manner at the table he shows a certain low key power as the head of the table. He also has one brief but important scene with his daughter. Sydow is effective in this in just portraying a warm but genuine relations between Tore and his daughter that properly establishes his love for his daughter that brings about his actions later on.

Sydow appears very little during the middle portion of the film. When he is on screen he keeps up the same strong presence, and he is entirely appropriate in his performance. He stays that way until he learns of the fate of his daughter which leads him to seek revenge. Sydow's first reaction of Tore's finding out about exactly what happened to his daughter is very effectively portrayed. It is rather fast, and Sydow handles it well by showing the emotions of despair quickly reigning on him, but portrays it along with a drive in Tore for vengeance.

Sydow portrays Tore's vengeance as something quite efficient. Sydow makes it a passionate moment for Tore even though it is rather quietly handled passion actually. The hatred, and anger toward the three people who were involved with act is embedded into Sydow's face, but he keeps it very much focused as Tore's goal never becomes forgotten for a moment. When Tore does murder all three of the them Sydow's gives it a certain efficiency. There is not a hint of hesitation in Sydow during the attack, he goes about one by one never giving a second thought for a moment. Sydow becuase of the lack of hesitation makes it a particularly brutal scene.

After the killing though Sydow finally shows Tore realizing his actions, as he simultaneously grieves over his daughter as well as is pained to a certain degree over his killing of the men. In his final scene where he simultaneously tries to make peace with God over having killed the men, but as well hates toward God over allowing the original act to happen, Sydow is quite powerful. He is able to still fairly quietly convey the complex internal struggle in this man, and movingly shows the deep hurt within the man over his horrendous experience.

This is not the most complex performance ever given by Max von Sydow, and his screen time is fairly limited as he only comes into the lead role for the final third of the film, but it certainly is a strong early work from him. He fully realizes his character the warm patriarch and father, and it is because of this that he is able to really give the appropriate impact to the scenes of vengeance. It is a very specific performance that effectively does the most with his role.

Thursday, September 6, 2012

Alternate Best Actor 1960

And the Nominees Were Not:

Robert Mitchum in The Sundowners

Albert Finney in Saturday Night and Sunday Morning 

Anthony Perkins in Psycho

Marcello Mastroianni in La Dolce Vita

Max von Sydow in The Virgin Spring

Wednesday, February 22, 2012

Best Supporting Actor 2011: Results

5. Jonah Hill in Moneyball- Jonah Hill's performance is functional enough, but it never really stands out as anything that needed to be awarded.
4. Nick Nolte in Warrior- Nolte tries hard and gives a descent performance, but as with all of his performances, he never completely realizes the potential of his part.
3. Christopher Plummer in Beginners- Plummer's performance almost seems misused in the course of the film muting his emotional impact, when Plummer is on screen though he gives an effective enough of a performance.
2. Max von Sydow in Extremely Loud and Incredibly Close- Although he is in a very bad film, and must support an awful actor in the lead, Sydow's performance is the best part of the film creating a moving and mysterious portrait of a man who refuses to speak due to his past.
1. Kenneth Branagh in My Week With Marilyn- Branagh tops this weak year, although there were plenty of not nominated supporting performances. Interesting enough the order of the nominees is almost the reverse order of how I would rank the films the nominees, something that rarely happens I must say. Branagh stands as my choice with his good but not perfect impersonation of Laurence Olivier. What really gives him the win though is his ability to actually turn Olivier into a compelling character despite the sever limitations of the script, as well as have the potential problem of getting caught trying to make just an impression.
Deserving Performances:
Albert Brooks in Drive
Bryan Cranston in Drive
Mark Strong in Tinker Tailor Soldier Spy
Brad Pitt in The Tree of Life

Wednesday, February 15, 2012

Best Supporting Actor 2011: Max von Sydow in Extremely Loud and Incredibly Close

Max von Sydow received his second Oscar nomination for portraying The Renter in Extremely Loud and Incredibly Close.

Extremely Loud and Incredibly Close about a boy Oskar trying to find the purpose of a key his father had after his father died in the September 11 attacks maybe could have been okay if it were not the way the lead character is written, directed, and portrayed. Thomas Horn gives an obnoxious inconsistent characterization that pretty much sinks the film. He just gives an awful performance that does not make you care about this kid or his journey in the least in fact you wish something bad would happen to him he is that intolerable. Now some have defended this performance saying his character is suppose to have aspergers, and that is why he is insufferable.

First of all Thomas Horn seems to have confused aspergers with HAMbergers (Yes I know that pun was worthy of Fozzie Bear). Secondly just because is suppose to be annoying doesn't mean that makes the character a good character, or any less intolerable to spend the film with. Thirdly there are performances that can make likable characters even if they are suppose to be insufferable, Albert Brooks in Broadcast News for example (See I didn't mention his film this year), but Thomas Horn is just an awful far too self aware actor to accomplish something like that.

Now I should probably get off Horn as this review is about Max von Sydow who is the mystery renter who rents a room from Oskar's grandmother, but Horn comes into play with Sydow's performance, not since Tom Cruise annoyed Paul Newman in The Color of Money, has a Oscar nominated performance had to deal with such a cloying obnoxious one. Max von Sydow deserves all the credit he can get though for putting up with this lesser performer, and actually managing to come out on top despite his lackluster co-star.

As the mysterious renter Max von Sydow never speaks a single word, and simply refuses to speak. He rather chooses to communicate with a note pad and a yes and a no that is written upon his hands. Sydow performance than relies completely in the aged actor's face, which Sydow certainly makes the most of. Sydow effectively creates a mysterious portrait of the man, carefully letting us in on some knowledge of his past. Sydow is able to show a rather sad man who clearly has had a troubling past solely through physical reactions.

Sydow who comes into the film about an hour in actually acts as a breath of fresh air, and the film which was becoming intolerable in Horn's hands at least finally has something good in it. Sydow actually brings emotional weight to his role, therefore bringing a little bit of emotional weight to the journey at the center of the film. Sydow interactions throughout his journey actually are quite moving realizing the joy and sadness in his performance, something the film on a whole is unable to achieve almost anywhere besides with Sydow's performance.

The film mostly made me cringe than anything else, but Sydow's few moments in the film actually made something for to enjoy. He created a warm presence very much needed for the film, and he has some very strong moments even though they are shared with Horn. I think particularly in one scene where Horn's character plays the messages left by his father to the renter. The scene is very poorly directed, and played by Horn since it seems like the kid is trying to torture the renter frankly, but Sydow stays above the problems of the scene giving honestly devastating reaction to what he hears.

I liked the entirety of what Sydow did in the film actually creating an emotionally convincing performance of this sad man. Although it is true he has to deal with a frankly terrible co-star Sydow overcomes those problems with his honestly moving performance. He makes the Renter likable as well as as one of the few character's whose point isn't bashed over your head. Sydow instead uses subtly to actually make the tenter into the right sort of enigma who is also quite endearing in the end. Although considering Sydow's filmography this is not his greatest performance it is a good one even if the film is not.

Saturday, February 11, 2012

Best Supporting Actor 2011

And the Nominees Are:

Max Von Sydow in Extremely Loud and Incredibly Close

Kenneth Branagh in My Week With Marilyn

Christopher Plummer in Beginners

Jonah Hill in Moneyball

Nick Nolte in Warrior

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