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Alternate Best Supporting Actor 2005: Ed Harris in A History of Violence

Ed Harris did not receive an Oscar nomination for portraying Carl Fogarty in A History of Violence.Ed Harris portrays the Philadelphia gangster who comes looking for diner owner Tom Stall who recently killed two men trying to rob his diner..

Best Supporting Actor 2011: Nick Nolte in Warrior

Nick Nolte received his third Oscar nomination for portraying Paddy Conlon in Warrior.Warrior details a winner take all mixed martial art tournament whose two main combatants are estranged brothers (Tom Hardy, Joel Edgerton) fighting for their own difficult reasons.

Alternate Best Actor 2011

And the Nominees Were Not:Ryan Gosling in DriveRobert Wieckiewicz in In DarknessMichael Fassbender in ShameMichael Shannon in Take ShelterBrendan Gleeson in The Guard..

Showing posts with label 2004 best supporting actor. Show all posts
Showing posts with label 2004 best supporting actor. Show all posts

Sunday, January 15, 2012

Best Supporting Actor 2004: Results

5. Jamie Foxx in Collateral- Foxx gives a functional performance some of the time, but he also fails to capitalize any scene that requires more from him.
4. Morgan Freeman in Million Dollar Baby- Freeman gives a painfully standard performance, that although it is not bad it always feels uninspired.
3. Alan Alda in The Aviator- Alda has very little to do but still his performance is effective as he shows both the charm and the cruelty of a career politician.

2. Clive Owen in Closer- Owen although has strong elements particularly in portraying the harsh bluntness of his character, but also lacks in terms of his onscreen relationships with his female co-stars.
1. Thomas Haden Church in Sideways- A very easy win for Church who easily gives the best performance of the five through his great achievement of finding a way to make what technically should be just a despicable character, a endearing one instead.
Deserving Performances:
David Carradine in Kill Bill Vol 2
Michael Madsen in Kill Bill Vol 2

Saturday, January 14, 2012

Best Supporting Actor 2004: Clive Owen in Closer

Clive Owen recieved his first Oscar nomination for portraying Larry Gray in Closer.

Closer details the intertwined relationships of four miserable people.

Clive Owen portrays one of these four miserable people a dermatologist who is rather cheeky to say the least. He is not supporting of the other three and really all four actors are lead in this film. This is a performance that a lot of people love, but I can't really join that love for this performance, although I will agree that Clive Owen does give the best performance in the film by far. The problems in the performance though come from the overall chemistry with the rest of the cast really.

I do think one aspect of the character Owen does nail is the bluntness of the character. Out of any other character one can argue he is technically the most honest, even if that makes him seem sort of crueler. Owen does have just the right clear and concise fashion in which he speaks and acts. Owen shows that with Larry he just says things the way he sees them, does exactly what he wants, and will always admit his motivations to be exactly what they are.

Owen has the right directness in his performance that shows the exactly zero inhibitions Larry has when it comes to his life. My problems with performance comes with his chemistry with the rest of the cast not so much with Jude Law as his perpetual rival their mutual dislike for one another is appropriately shown with always a certain underlying intensity between the two in their scenes together. It is really his chemistry with Julia Roberts, and Natalie Portman that I have an issue with.

With Julia Roberts I really did not feel there was much of anything between the two, since I never really saw either actor convey enough of a passion with one another for me to honestly believe their relationship. They are suppose to instantly hit off so much that they are soon married, but aside from Owen being slightly charming their is not a strong enough purpose for it. There is not enough of love or lust shown between the two, making the relationship seem quite underwhelming between the two.

This is also true for his scenes with Natalie Portman particularly in their later scenes with he is suppose to be lusting after here. Owen most certainly tries his best, but there never is a great enough drive in their scenes together to make sense of his intense lust, and even Owen's lust was never quite intense as it really should have been. This is hardly a bad performance though and it certainly has strong aspect, but on a whole it is really less than it should have been.

Friday, January 13, 2012

Best Supporting Actor 2004: Thomas Haden Church in Sideways

Thomas Haden Church received his first Oscar nomination for portraying Jack Lopate in Sideways.

Sideways details the trip of two men through wine country just before one is going to be married.

Thomas Haden Church portrays Jack who is in many ways the exact opposite of his friend Miles (Paul Giamatti). Jack is almost always happy, even when he gets mad or sad it is only for a brief period, opposed to Miles who is almost always is at least a little bit moody. Jack is just about completely amoral, and seems to have absolutely no sense of decency, where perhaps Miles has a little bit of it. Jack does not seem to be overly smart, where Miles at least could be described as a pseudo intellectual.

Their dynamic is a rather strange one, but both actors do manage to make their "friendship" believable they are able to stand each other, but they are definitely of two different sorts. Thomas Haden Church has actually quite a difficult part in that Jack's actions are quite unlikable through the course of the film caused by his amorality, also there is the fact that it does not seem he even learns anything after what happens to him. Jack could have very easily come off as just a despicable character that you don't want to even see, but Church manages to make the unlikable Jack likable.

Church does this in a rather interesting way, in that he almost portrays Jack as a child, which is the perfect way to portray. Everything Church really does as Jack seems slightly childlike. Church is careful to infuse this childlike quality to Jack to just the right degree, without making Jack seem unrealistic. It is interesting though just the way Church manages to bring a childlike quality to everything he does. His want for his last week of "freedom", and just the way he listens to Miles talk about has just the same enthusiasm and impatience of a child.

The negative qualities of Jack though are the real challenge, and Church meets the challenge. Church does this firstly by being charming in his rather simple, in more than one way, fashion that always feels quite effortless. Again though when he does wrong, and he really does a lot of wrong it is the childishness of Church's characterization that keeps him from somehow seeming completely despicable. Everything he does bad is almost just like a spoiled child that really does not know any better, even though he should.

Even when he suffers the consequences Church shows Jack to act in a childish fashion finding someone else to blame, or when he finds no other option pleading like a crying baby for help. Because Church manages to be so honestly pathetic he actually comes off as oddly endearing. I also really like his scenes where he attempts to cheer up Giamatti's because Church shows such a senseless happiness in the role. Jack really is a rather challenging role but Thomas Haden Church brings the perfect sort of life to the role through his simple but very well handled characterization. Jack is a role that could been just a jerk, but Church succeeded in turning Jack into a lovable jerk.

Best Supporting Actor 2004: Morgan Freeman in Million Dollar Baby

Morgan Freeman won his Oscar from his fourth nomination for portraying Eddie 'Scrap Iron' Dupris in Million Dollar Baby.

Morgan Freeman although would have been a deserving winner for all of his previous nomination, especially for Street Smart, he did not win until here in the best picture winner Million Dollar Baby, which is film that just gets worse and worse every time I watch the dreary film. Morgan Freeman here did received a career Oscar here, that really seemed to be a role that was far too much devised Freeman. This sometimes can mean they'll give a performance, and it will be a role they were born to play, but it can also cause one to give a very by the books and standard performance like Freeman's here.

Morgan Freeman offers the narration in the film, and it is not nearly as well handled as in The Shawshank Redemption. In Shawshank it was frankly better performed, but also better used in that it felt like more of the reflections of his character more than just narration, here it feels just like narration nothing more. Freeman being the narrator is only one facet that feels like a far too standard of a role for Freeman. His role is just of a has been old timer who offers advice to the main characters not much more than that.

Most of the time in the film Freeman just gives the same slightly dispassionate expression. It sort of makes sense due to what happened to his character but it does nothing to brighten up the dreary nature of the film, and it would have been nice if there was a performance that did that. Freeman's performance really is just rather repetitiveness giving that same expression that reflects his past, but trying to offer some warmth or advice to the other characters in a minimalist fashion, that again technically fits the character, but feels always like a far too by the books performance from Freeman.

Freeman gave some good performances in the past he was amazing in Street Smart for example, but in Street Smart he really went as far as possible with his performance, and created a truly memorable character. Here though Freeman never turns Scrap Iron into just a serviceable character because of his only serviceable performance. I will admit it is not a bad performance because Freeman is a good enough actor that he really has to try to give a bad performance, but his performance is very uninspired.

Best Supporting Actor 2004: Jamie Foxx in Collateral

Jamie Foxx received one of his two nominations for portraying Max Durocher in Collateral.

Collateral tells of a hitman Vincent (Tom Cruise) who takes a cab driver hostage to bring him to his five marks on one night.

Jamie Foxx actually is not at all supporting in this film as the cab driver Vincent uses for the ride is the lead, since he even has more screen time than Cruise. Although it is obvious it was positioned this way to allow Foxx two nominations one that allowed him to undeservedly win for Ray, and this one. I will say first off that Foxx is indeed better here than he was in Ray, but that is saying very little in my opinion. This is more of a standard performance from Foxx than does not rely on mannerisms for his performance, but instead he just tries to convey the emotions of the moment.

It is an attempt at a fairly standard lead performance by Foxx since Max is just suppose to be a very standard Cab driver who happens to be in an not so ordinary situation. Foxx shows Max to be a reasonably happy man who has a dream, and does not really have a problem with his job. He than shows a very scared and frustrated man when his life becomes in danger because of the hitman. I will say Foxx is technically fine, when is scared he is scared, when he frustrated he looks frustrated, he is technically does what he needs to for the part.

Foxx though could have done far more in the part than he does, as it is a lead performance, and really he could have made Max simply into a more interesting character with the possibilities given to him. For example Cruise absolutely dominates all of their scenes together. He always controls the scene, and always has the more overpowering presence than Foxx. Yes it is true Vincent should dominate for most of the film anyways,  Cruise did not need to technically dominate as much as he does though, since Foxx never seizes any opportunity to stay with Cruise.

Foxx just stays really too standard, and functional in the part. He never reaches for more than just very simple emotions, which although are conveyed correctly, aren't all that interesting. Also later in the film there are two scenes where Max is suppose to do more and Foxx is not up for it. Firstly he must impersonate Vincent in one scene, and Foxx is not at all convincing that he could make the gangster afraid of him in the least. Secondly through the night Max is suppose to become more and more frustrated to the point he finally takes matters in his own hand, but again Foxx is not up to it.

Foxx basically keeps Max at the same level emotionally throughout, he should have slowly become more and more drained, but he just does not. Also his scene where he finally takes matters in his own should have been a powerful moment where Max's strength finally comes out, but in Foxx's failed to build toward this point effectively, and the moment itself feels quite underwhelming. Although technically adequate some of the time Foxx fails to capitalize on the possibilities of his character, and this performance ends up being a misses opportunity.

Thursday, January 12, 2012

Best Supporting Actor 2004: Alan Alda in The Aviator

Alan Alda received his first Oscar nomination for portraying Senator Owen Brewster in The Aviator.

Senator Owen Brewster acts a basically a tool against Howard Hughes (Leonardo DiCaprio) to be used by his International airwaves rival Juan Trippe (Alex Baldwin). This is a little bit of a head scratcher of a nomination simply because Brewster does very little, and only has a few scenes in total. He first tries to prod Hughes to see things his way through a blackmail of sorts, but than after Hughes refuses he attacks Hughes by publicly calling him a war profiteer and holding a Senate hearing to investigate and attack Hughes.

Although his part is very limited Alda actually is pretty much exactly as he should be. He really is a hatchet man used by Trippe for Hughes, but he does it all in a traditional sort of politician smile. Alda has that smile and has the right dynamic between being that friend of everyone politician face along with a more sinsiter quality in his eyes for when he needs to do what he must. Alda is fine in showing that Brewster is putting on always a bit of act that allows him to be a senator.

Past just the whole idea of who Brewster is Alda does not do all that much in the part, since we don't really know much about Brewster other than that he is against Hughes and for Trippe. There is never a moment that he is anymore than a typical poor sort of politician. Alda is never bad in the role, and is exactly as he should. Is it anything that needed to be awarded, no, is it very memorable, no, but it is technically a descent performance nonetheless.

Best Supporting Actor 2004

And the Nominees Were:

Alan Alda in The Aviator

Thomas Haden Church in Sideways

Morgan Freeman in Million Dollar Baby

Clive Owen in Closer

Jamie Foxx in Collateral

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