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Alternate Best Supporting Actor 2005: Ed Harris in A History of Violence

Ed Harris did not receive an Oscar nomination for portraying Carl Fogarty in A History of Violence.Ed Harris portrays the Philadelphia gangster who comes looking for diner owner Tom Stall who recently killed two men trying to rob his diner..

Best Supporting Actor 2011: Nick Nolte in Warrior

Nick Nolte received his third Oscar nomination for portraying Paddy Conlon in Warrior.Warrior details a winner take all mixed martial art tournament whose two main combatants are estranged brothers (Tom Hardy, Joel Edgerton) fighting for their own difficult reasons.

Alternate Best Actor 2011

And the Nominees Were Not:Ryan Gosling in DriveRobert Wieckiewicz in In DarknessMichael Fassbender in ShameMichael Shannon in Take ShelterBrendan Gleeson in The Guard..

Showing posts with label Toshiro Mifune. Show all posts
Showing posts with label Toshiro Mifune. Show all posts

Tuesday, September 25, 2012

Alternate Best Actor 1957: Results

5. Andy Griffith in A Face in the Crowd- Despite an effective beginning to his performance Griffith never quite matches the ambition of his character, even though he does try.
4. Henry Fonda 12 Angry Men- Fonda gives a good performance consistently portraying the steadfast conviction of his part.
3. Toshiro Mifune in Throne of Blood- Toshiro Mifune gives an effectively brutal turn as his version of Macbeth. He holds no bars physically or mentally in his towering performance.
2. Tony Curtis in Sweet Smell of Success- Tony Curtis gives a strong performance that portrays well the abilities of his amoral press agent, and only shows a glint of conscience in the most powerful moments.
1. Kirk Douglas in Paths of Glory- Douglas gives the second best performance that I have seen this year, and gives one of the very best performance as almost entirely moral character. Douglas never gives a hint of sanctimony, or falseness, but instead powerfully and honestly portrays the deep of concern of his character believably throughout the film. 
Overall Rank:
  1. Alec Guinness in The Bridge on The River Kwai
  2. Kirk Douglas in Paths of Glory
  3. Tony Curtis in Sweet Smell of Success
  4. Toshiro Mifune in Throne of Blood
  5. Charles Laughton in Witness for the Prosecution
  6. William Holden in The Bridge on the River Kwai
  7. Henry Fonda 12 Angry Men
  8. Anthony Quinn in Wild Is the Wind
  9. Van Heflin in 3:10 to Yuma
  10. Andy Griffith in A Face in the Crowd
  11. Glenn Ford in 3:10 to Yuma
  12. Gary Cooper in Love in the Afternoon 
  13. Marlon Brando in Sayonara
  14. Rock Hudson in A Farewell to Arms
  15. Lee Philips in Peyton Place
  16. Don Murray in A Hatful of Rain
  17. Anthony Franciosa in A Hatful of Rain
Next Year: 2008 Supporting

Friday, September 21, 2012

Alternate Best Actor 1957: Toshiro Mifune in Throne of Blood

Toshiro Mifune did not receive an Oscar nomination for portraying Taketoki Washizu in Throne of Blood.

Throne of Blood is an excellent adaptation of Macbeth set in feudal Japan.

Macbeth is certainly a character who has received many different portrayals as Macbeth certainly is very open to interpretation. As with most of Shakespeare's leads there really is not a definitive portrayal even in film. Mifune's performance as Washizu who is Macbeth really is very different from other portrayal of the treacherous lord, one reason I would say is unlike other portrayals his does not have soliloquies. Akira Kurosawa keeps this version of the story very refined, and it always moves forward leaving Mifune to move right forward with his performance of the character.

Although Mifune does not have his inner monologues to himself to describe his internal struggle as that is not really a problem. Mifune takes a striking approach with Washizu as a man who barely has any time to really think about the moral troubles of the situation. Something that really is effective about this version is actually that it is a very short adaptation. It never seems lacking though making it that Washizu's decision to betray the King to seem even more pointless than in other versions of Macbeth due to how little time he seems to be able to enjoy his time at the top.

Mifune portrays the ambition as a necessity though brought on by his wife who basically convinces him that it will be either him or the Emperor whether he likes it or not. There is not a delay in his performance as Mifune portrays the betrayal as his own preservation. It really is not ambition he has at first as it very much is in his concern for his own place and power. Mifune genuinely shows that his original intentions may not be nearly as dreadful as one might think, even though his thoughts are entirely manipulated by his wife who most certainly wants the Emperor dead entirely for her own ends.

Of course the amount of sympathy one can have for Washizu quickly drifts as Mifune only can portray concern for one's self for so long. As he quickly becomes deeper into his dark deeds Mifune brings out his incredible intensity in the part. There are not hesitations in his Washizu once he justifies his actions once.  There is rage and passion here that conveys well the level that Washizu will go to keep and maintain what he has gained. Mifune has a great power in his performance showing Washizu's desires to be an incredible force of nature that propels forward his desire and greed that only causes him to commit worse acts along the way.

As he goes down further into the darkness Mifune brings about a growing insanity within Washizu. Mifune has quite a challenge in that Washizu begins pretty crazy and he only goes crazier and crazier. Mifune though actually manages to bring about the level of insanity required for the part as his actions drive him further and further out of control. The famous ghost scene is particularly well handled by Mifune who in the scene brings a strong visceral effect in his portrayal as Washizu goes on a mad rant of hatred, fear and some regret at the apparition that only he can see.

Mifune creates a portrait that really is unrepentant though, even though he does indicate some regret, when he sees his best friends severed head that he ordered done. Mifune though does not beat about the bush here as there is a great deal of conviction in all of his actions. Even in his short moments of shame, Mifune is terrific in that he has Washizu almost hatefully blame those he wronged for the guilt he feels, rather than honestly feeling any honest or lasting grief for the wrong he has done.

The greatest moment in this performance has to be the final moments of the film as he psychotically postures his presumed power, that is instantly shattered as he sees the truth of what his fate will be. Mifune's final breakdown well being slowly killed by a barrage of arrows is astounding. Mifune becomes a beast in a cage as Washizu flails around trying to avoid the arrows well fully realizing the results of his action. It is a very physical and extremely effective death scene by Mifune that is fitting painful and powerful end for his treacherous character.

He takes a very specific approach with the part that easily commands the screen through the entirety of the film. Macbeth can be portrayed many ways often as a man who reluctantly becomes the same evil he vanquished at the beginning of the story. Mifune takes really no prisoners with his performance as he turns his version of the character that truly is the evil really from the beginning. It is exceedingly memorable that Mifune creates Washizu as a man where the evil simply needed to be let out by a twisted justification. This is terrific portrayal of "Macbeth" that is uncompromising in his depiction of the immorality and brutality.

Wednesday, September 19, 2012

Alternate Best Actor 1957

And the Nominees Were Not:

Henry Fonda in 12 Angry Men

Andy Griffith in A Face in The Crowd

Kirk Douglas in Paths of Glory

Tony Curtis in Sweet Smell of Success

Toshiro Mifune in Throne of Blood

Friday, August 3, 2012

Alternate Best Actor 1954: Results

5. Charles Laughton- Charles Laughton has a fairly simple role but he is consistently amusing in his performance.
4. James Stewart in Rear Window- Stewart manages to provide a realistic portrait who we can easily go along through the sometimes quite seedy world of being a voyeur.
3. James Mason 20,000 Leagues Under the Sea- Mason gives a great performance of an iconic character by always bringing to life both the wondrous qualities to his portrayal in equal measure with his more violent aspects.
2. Toshiro Mifune in Seven Samurai- Mifune gives a very big but also a very striking performance of a swordsman driven mad by his past.
1. Ray Milland in Dial M For Murder- Again another strong year with four great performances the academy foolishly ignored. Although it was fairly easily to know Brando would still be first it was again difficult to choose the number one out of these four. I give it to Milland though who gives a strong performance by both bringing to life the fierce some hidden motivation of his murderer, but as well as easily adding an appropriate degree of humor in the role as well.
Overall Rank:
  1. Marlon Brando in On The Waterfront
  2. Ray Milland in Dial M For Murder
  3. Toshiro Mifune in Seven Samurai
  4. James Mason in 20,000 Leagues Under the Sea
  5. James Stewart in Rear Window
  6. James Mason in A Star is Born
  7. Bing Crosby in The Country Girl
  8. Kirk Douglas in 20,000 Leagues Under the Sea 
  9. Dan O'Herlihy in Robinson Crusoe
  10. Takashi Shimura in Seven Samurai
  11. Charles Laughton in Hobson's Choice
  12. Humphrey Bogart in The Caine Mutiny
  13. John Mills in Hobson's Choice
  14. Paul Lukas in 20,000 Leagues Under The Sea
  15. Gene Kelly in Brigadoon
  16. Bing Crosby in White Christmas
  17. Danny Kaye in White Christmas
  18. Robert Francis in The Caine Mutiny
Next Year: 1937

Monday, July 30, 2012

Alternate Best Actor 1954: Toshiro Mifune in Seven Samurai

Toshiro Mifune did not receive an Oscar nomination for portraying Kikuchiyo in Seven Samurai.

Seven Samurai is an excellent film about poor villagers who hire seven samurai to fight against a large group of bandits who steal their crops.

In the group of the Seven Samurai there is the wise old leader, his young protege, a learned right hand man, a world weary veteran samurai, an poorly skilled but jovial samurai, a stone faced and most skilled of all of them, and Kikuchiyo portrayed by Mifune who is not even a samurai. Kikuchiyo in fact does not seem to really have a name, or at least either does not remember it or does not wish to state what it is. The other samurai in fact give him the name of Kikuchiyo which is in fact rather derogatory. Not really being a samurai he never really is just part of the group as some of the others are and Mifune performance sticks out the most within the film.

Mifune early on in the film is off to the side as Kikuchiyo tries to join the samurai on their adventure even though all he has is a one huge sword, and a fake birth certificate to prove his worth. Mifune is terrific in just being a crazy man easy to being drunk, but very much a wannabe Samurai. Although at this point you cannot tell really where he came from but Mifune still is able to convey that his craziness comes from something in his history. Mufine is also great in just creating the dynamic between the insane Kikuchiyo he does anything but stand still against the rest of the Samurai who are all very stoic and reserved.

Eventually Kikuchiyo makes his way with the Samurai by basically just following them until they give in to allowing him to come as well even though his birth certification does very little to prove that he is of noble birth. He nevertheless becomes one of the most motivated of the fighters, even if his insanity never does seem to leave him. Mifune is like a wild animal at times, a particularly vicious one, as he shows the degree of passion Kikuchiyo does have in the fight. It is extreme and the most intense of any of the men hinting that Kikuchiyo has more invested than just wanting the food they are promised by the villagers.

It should be said that there is a great deal of big acting going on in the film that really separates most of the villagers from the samurai who are rather low key save for Kikuchiyo. Toshiro Mifune though really is a master at this rather broad approach, since he firstly does not forget to still have subtle aspects to the performance that keep his performance properly grounded, but as well being able to act this big is a talent not seeming completely overblown, and Mifune most certainly has this talent. For example one great scene of Mifune is when Kikuchiyo chews out the other samurai for their comments regarding the farmers of the village they are protecting.

In this scene Mifune is full force in his intensity and intimidation as he rattles on about his anger toward the remark against the farmers. His hatred of the disregard of the farmers is violent and vicious and Mifune does not lose a beat as he goes off on Kikuchiyo full loud monologue. While he handles this scene in a very big fashion indeed, Mifune never fails though in the same moment to offer smaller hints as to an underlying sadness within Kikuchiyo since really all of this anger comes from the fact that Kikuchiyo himself came from a farming family.

During the all important battle scenes it is hard not to watch Mifune he is consistently entertaining and effective in the role. He portrays Kikuchiyo as a man with almost a death wish the way he throws himself into the battle field seeming almost psychotic at times when he basically eggs on the bandits to aim for him. There is never a moment where Kikuchiyo does not seem to be throwing himself head first into the fray. Mifune is able to through in just the right amount of humor in his performance through his manic approach. Mifune though is able to with ease bring humor at the same time in showing Kikuchiyo's genuine, and very passionate in regards to fighting the battle.

This is especially powerful performance by Mifune as he uses his energy in his performance to become both a very enjoyable comic relief at times, but also does manage to bring to life the very heartbreaking character that is Kikuchiyo. It is indeed a very manic approach as Mifune shows not the slightest hesitation in any scene whether Kikuchiyo is flopping around the battlefield, or is raging in anguish over witnessing an event that mirrors something in his own past. There is never a disconnection in any moment or any facet of Mifune work here. It is simply a great performance that contributes so much to this amazing film.

Saturday, July 28, 2012

Alternate Best Actor 1954

And the Nominees Were Not:

James Mason in 20,000 Leagues Under The Sea

Charles Laughton in Hobson's Choice

Ray Milland in Dial M For Murder

James Stewart in Rear Window

Toshiro Mifune in Seven Samurai

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