eXTReMe Tracker

Alternate Best Supporting Actor 2005: Ed Harris in A History of Violence

Ed Harris did not receive an Oscar nomination for portraying Carl Fogarty in A History of Violence.Ed Harris portrays the Philadelphia gangster who comes looking for diner owner Tom Stall who recently killed two men trying to rob his diner..

Best Supporting Actor 2011: Nick Nolte in Warrior

Nick Nolte received his third Oscar nomination for portraying Paddy Conlon in Warrior.Warrior details a winner take all mixed martial art tournament whose two main combatants are estranged brothers (Tom Hardy, Joel Edgerton) fighting for their own difficult reasons.

Alternate Best Actor 2011

And the Nominees Were Not:Ryan Gosling in DriveRobert Wieckiewicz in In DarknessMichael Fassbender in ShameMichael Shannon in Take ShelterBrendan Gleeson in The Guard..

Saturday, July 14, 2012

"Life Without Dick" and other LIFETIME movies

I
found a website that lists all of the movies shown on LIFETIME. I
imagine most of these are Movies of the Week made specifically for
LIFETIME. You’ll notice several recurring themes. These are actual
titles; I’m not making any of them up. I gotta watch LIFETIME MORE.

Life Without Dick

A Woman Hunted

Bastard Out of Carolina

Co-ed Call Girl

Cyber Seduction: His Secret Life

Dead

Friday, July 13, 2012

Alternate Best Actor 1965

And the Nominees Were Not:

Omar Sharif in Doctor Zhivago

Lee Van Cleef in For A Few Dollars More

Terence Stamp in The Collector

Sean Connery in The Hill

Michael Caine in The Ipcress File

Standing up to the star




Egads! It’s Friday the 13th. But answering a question of yours is considered good luck, so here are a few.

John starts with a question that harkens back to a previous post about how actors should give writers notes.


Any corresponding anecdotes about actors/actresses who protested loudly/petulantly about a scene, didn't get their way and then had to watch the 'horrible' scene score a

Thursday, July 12, 2012

Alternate Best Actor 1947: Results

5. Cary Grant in The Bishop's Wife- Grant never falters in his portrayal of a just about perfect character. He brings a great deal of charm, and wit to the role that makes it an absolutely winning performance.
4. Robert Mitchum in Out of the Past- Mitchum gives a strong commanding performance that perfectly fits his world weary on screen persona.
3. Rex Harrison in The Ghost and Mrs. Muir- Harrison is terrific in his role bring both mysterious as well as quite humorous in the role of the titular entity.
2. Charlie Chaplin in Monsieur Verdoux- Chaplin finds just the right tone to brings the life his cynical but also humorous serial killer who treats his murders as just a normal job.
1. Richard Attenborough in Brighton Rock- There was no question here of who was the very best of year with Attenborough tremendous performance as a young thug. Attenborough gives a striking performance that never strives from the harsh truths of his character.
Overall Rank:
  1. Richard Attenborough in Brighton Rock
  2. Ronald Colman in A Double Life
  3. James Mason in Odd Man Out
  4. Charlie Chaplin in Monsieur Verdoux
  5. Rex Harrison in The Ghost and Mrs. Muir
  6. Robert Mitchum in Out of the Past
  7. Cary Grant in The Bishop's Wife
  8. David Niven in The Bishop's Wife
  9. Edmund Gwenn in Miracle on 34th Street
  10. William Powell in Life With Father
  11. John Garfield in Body and Soul
  12. John Payne in Miracle on 34th Street
  13. Michael Redgrave in Mourning Becomes Electra 
  14. Dana Andrews in Boomerang!
  15. Victor Mature in Kiss of Death
  16. Robert Young in Crossfire
  17. Gregory Peck in The Paradine Case
  18. Gregory Peck in Gentleman's Agreement
Next Year: 1965

Alternate Best Actor 1947: Richard Attenborough in Brighton Rock

Richard Attenborough did not receive an Oscar nomination for portraying Pinkie Brown in Brighton Rock.

Brighton Rock is a very effective crime thriller about a young criminal who tries desperately to cover up his murder, which becomes far more complex than he bargained for.

Richard Attenborough despite having a very long career as an actor has been only ever nominated for producing and directing Gandhi. He never once was nominated for his acting efforts despite winning two golden globes. Attenborough though is another prolific actor whose efforts deserve to be noticed here, particularly his performance here that came early in his career. Of course it would be difficult for an actor to be noticed for this role, even though to be fair Ronald Colman murdered someone in A Double Life, but I suppose at least he did it by going completely insane. Attenborough's portrayal of Pinkie though is cold blooded from the start.

Attenborough creates a terrific portrait of this very young criminal in charge of a gang of men. When we first see him Pinkie actually is not the one standing ready to order the others around as their leader as they go to search for someone they have very ill intents for. In fact he is sitting in a bed, but his very first glimpse is unforgettable nevertheless. Attenborough makes it clear from the very beginning of the film who will be in charge of the story, making it obvious from the start that Pinkie always will do things his way. When he and his gang for approach the man they have targeted, Pinkie is in the corner almost looking away, yet Attenborough is easily the most magnetic presence in the scene.

Attenborough does something amazing in his portrayal of Pinkie which is both bringing the life the thug completely to life, but still enabling his character to be truly charismatic. As the thug Attenborough does not make a single excuse for his character, nor does he try ever to hide just who Pinkie is. In his eyes there is nothing but a psychotic. Some killers in film show that a man can be normal but can be brought about to violence, but Attenborough shows a man who seems to be constantly having to hold back his hidden murderous feelings. There is nothing good about Pinkie, Attenborough does not want the slightest bit of sympathy from the audience.

The amazing part though is Attenborough is absolutely watchable in the role, and as distasteful as his character is the charisma Attenborough has in the role voids this. As horrendous of a man as Pinkie is Attenborough has a presence here that absolutely controls the screen. You can't help but watch Attenborough here no matter how horrible of things that Pinkie does along the way. He has an incredible sway in his performance where he even makes it entirely convincing when he even tells someone to commit suicide for him. Obviously this is an unlikely thing to do, but Attenborough has such allure in the role it seem entirely possible.

An important aspect of the character of Pinkie is that he is a completely selfish character, but he asks almost everyone around him to do something for him. This is the most true in that Pinkie goes about seducing a young waitress Rose who has information that can send him to jail. I actually think that in this relationship might be a time in which many actors would try to make Pinkie likable in some way or hint that there may be more to him. Attenborough though never strives away from the truth of the character which is he is the lowest of the low any love he shows for her is just to get his end nothing else. Attenborough makes the center relationship painfully truthful in that behind any sentiment of love Pinkie might show to the girl, there is always disgust behind it.

As a villain Attenborough makes Pinkie coldly efficient as a killer. Attenborough though shows that all Pinkie is a psychopath he really does not ever push the idea that Pinkie is enjoying the killing, nor does he show that Pinkie is disliking it either. Rather Attenborough chillingly shows that it is simply just that is what Pinkie is doing simple as that, in the same way he would be doing anything else. There is no hesitation in Attenborough's performance even though both he and Pinkie are very young men. Attenborough most of the time does not factor in his age except for when something does not go according to plan for Pinkie.

These moments are made especially powerful by Attenborough because he really shows the true nature of Pinkie. The youth of Pinkie does appear along with the inexperience. Every time something goes terribly wrong for him Attenborough portrays it as utter surprise in Pinkie's mind, showing that Pinkie always believed he was on top of everything. When he really gets into trouble due to a failed plan Attenborough brings out just what a pathetic sort Pinkie is. The show of confidence and strength of before leave and Attenborough brings him into nothing more that a lowly brat who has gotten in over his head. This is absolutely compelling work from Attenborough that makes Pinkie into a very memorable creation because he never once cheats his own character portraying him that exact way he should be to the bitter end.

Radio Daze



Here’s another tale from my colorful yet brief radio career. There may be a book in these stories (assuming I sell more of my current one. Why haven’t you ordered yours yet? Do I have to become Dr. Gene Scott and just stare at you people for an hour?)

Anyway...

Among the many things missing in radio today are pranks. Back when there were live local broadcasters and actual competition

Wednesday, July 11, 2012

Alternate Best Actor 1947: Cary Grant in The Bishop's Wife

Cary Grant did not receive an Oscar nomination for portraying Dudley in The Bishop's Wife. 

The Bishop's wife is an enjoyable and heartwarming tale about an angle who helps a Bishop (David Niven) who has become distant from his wife (Loretta Young) while attempting to get a Cathedral built.

I must say one great joy of doing these alternates is getting to revisit performances by actors who were constantly snubbed by the academy. Cary Grant is the biggest who was nominated only twice, was not nominated for this performance despite this film received five nominations tied for the second most of the year, including picture and director. I suppose Grant just never was the Oscars cup of tea after all Grant was only nominated for an decidedly non Cary Grant role in None But the Lonely Heart, I suppose they figured they rewarded enough of Grant for his performance in the weepie Penny Serenade.

Cary Grant here portrays the angle who helps the titular character finds his way, and bring him back to properly appreciating what he has. In a way you could actually say that his role is an expanded version of Clarence from It's A Wonderful Life, although Dudley here is far more confidant of an angle. In fact he is quite sure of himself as he should be as he absolutely knows how to handle the situation. He knows exactly what to do at every point of time, never failing to fulfill what needs to be done for the good of the bishop or anyone else he happens to simply pass by.

Grant really does portray his character on basically one note. Now this is not in the negative of being a one note performance since Dudley would be portrayed incorrectly if he showed a very wide range of emotion he is practically a perfect character therefore he should be portrayed in a very much contained fashion.The funny thing was originally Niven was going to be Dudley and Grant the Bishop, well that in a way shows what works so well about Grant's performance, Niven would perhaps seemed a bit devious in the role, whereas Grant finds the perfect tone for his character.

Grant uses just the right degree of his unique and quite remarkable charm. It is in a low key style for Grant and does not use it to the almost controlling fashion, here though Grant uses his charisma to make Dudley properly otherworldly. There is something truly special in Grant's little smile, and twinkle in his eye that effectively conveys the wondrous quality of this angle. He does not overplay the perfection of Dudley too much, because he shows in such a quiet way. His performance never makes Dudley boastful or prideful but in a way appropriately meek and quite likable in his style of just being so helpful.

It is not the most complex of roles but Grant is absolutely spot on with his performance all the time making Dudley the likable presence he should be. Dudley never seems like a phony or saccharine character either, Grant always manages to make every one of his character appropriately heartwarming without every overplaying him or underplaying him. He fulfills his role all the way through. Now by the nature of the character he is not an especially complex character, even his later scenes where he shows that he may be in love with Young's character, Grant plays that as genuine but still part of Dudley plan to make the Bishop realize what he has been missing. Nevertheless Grant makes the absolute most of his role, and achieves something quite special with the role that could fallen quite short in lesser hands.

Twitter Delicious Facebook Digg Stumbleupon Favorites More