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Alternate Best Supporting Actor 2005: Ed Harris in A History of Violence

Ed Harris did not receive an Oscar nomination for portraying Carl Fogarty in A History of Violence.Ed Harris portrays the Philadelphia gangster who comes looking for diner owner Tom Stall who recently killed two men trying to rob his diner..

Best Supporting Actor 2011: Nick Nolte in Warrior

Nick Nolte received his third Oscar nomination for portraying Paddy Conlon in Warrior.Warrior details a winner take all mixed martial art tournament whose two main combatants are estranged brothers (Tom Hardy, Joel Edgerton) fighting for their own difficult reasons.

Alternate Best Actor 2011

And the Nominees Were Not:Ryan Gosling in DriveRobert Wieckiewicz in In DarknessMichael Fassbender in ShameMichael Shannon in Take ShelterBrendan Gleeson in The Guard..

Saturday, March 31, 2012

Best Supporting Actor 1978: Christopher Walken in The Deer Hunter

Christopher Walken won his Oscar from his first Oscar nomination for portraying Nikonar 'Nick' Chevotarevich in The Deer Hunter.

Christopher Walken is an actor with an odd reputation as he is seen as a bit of an oddity with his distinct voice and sometimes very bizarre mannerisms that go in many of his performances. The only thing is if one sees a performance of his that is described as his best performance one will see a great actor simple as that. Christopher Walken at first seems to be the heart of the film of the Deer Hunter and although his performance is supporting in terms of screentime it is just as important as Robert De Niro's performance as Nick's friend Michael the sort of leader of the group of friends.

A very important of part in the film is the dynamic between the friends and Walken makes Nick role in the group rather distinct. He is separate from the rest of the guys because he does not fool around nearly as much as they do, and has the respect of Michael because of this. He though is different from Michael because he seems to stand as part of the group more than Michael, and tries to understand and frankly bring more warmth among the group than Michael ever does.  Walken realizes this understanding of Nick very well but not overplaying it. Walken achieves Nick point in the group realistically and honestly makes Nick a goodhearted man.

Walken also finds just the right tone in which to portray Nick's two pivotal relationships early within the film. Firstly Nick's relationship with his girlfriend Linda (Meryl Streep). The two actors are effective because they don't lay on the romantic elements two thickly. Instead they show a simpler but believable one between the two. There is clearly a love created between the characters by Walken and Streep. It is a quiet unassuming romance but there is no doubt left through the performances that through this quiet unassuming fashion they most certainly care for each other undoubtedly.

Interestingly enough the second relationship is even more important which is Nick's friendship with Michael. Again Walken and De Niro very much downplay the friendship it is not this overly warm display of love for one another, but there is clearly an unmistakable bond between the two nevertheless. The two show quietly a history between the two men one of understanding between the two and a great deal of mutual respect. There dynamic is realized perfectly by both actors as they are not only friends but also there is a just the right difference between the two shown through Nick's greater degree of empathy.

Walken though truly shines as with De Niro in the gut wrenching Russian Roulette scenes. I said De Niro was incredible in these scenes and Walken matches him every step of the way. When they finally play one on one in the prison camp Walken is absolutely amazing as Nick. He absolutely brings the fear and intensity of the situation to life it is chilling almost unbearable because De Niro and Walken never have a false moment in either of their performances. Walken in one single reaction probably has, and I mean this, one of the greatest single reactions in film.

The moment has him holding the gun to his head with a very good likeliness that it will kill him with a fatal. Walken before he fires shows us the horrible terror Nick has over his chances of death as well as just the sickness and anger over being in the horrendous situation. He has one of the most heartbreaking moments when he finally pulls the trigger, and his reaction of fear to an incredible relief as well as absolute joy could not have possibly have been more powerful. He brings right with Nick in that moment and it is both terrifying and absolutely wonderful moment.

After this scene and a separation from his friends Nick suffers a serious mental breakdown. This is actually in a very fast succession to his breakdown caused by the traumatic stress faced before. Walken though again turns it into a reality. His breakdown scene is terrific, Walken quietly shows the pain absolutely overwhelm Nick that he can't help but continuing to think of the horrors of what he faced and went through that causes him to fall apart an become almost a shell of a man as to avoid the pain of his memories. This is made especially disheartening when compared brighter Nick seen earlier, because Walken absolutely makes them the same person who has undergone far too much pain.

There is a great deal of time when we don't see Walken in the film but we feel his loss almost every moment he is not on screen because of his impact earlier in the film. When we finally do see Walken again Nick is only worse a true shell of a man completely lost, and Walken is absolutely chilling showing Nick's loss of fear of death. Their final scene together De Niro and Walken are again incredible. Walken in the scene stays almost the same throughout as Michael pleads to Nick. When Walken finally does react in just the slightest indication of the old Nick it is an absolutely perfect moment that ends Walken's pitch perfect performance. It really is a role that is only challenges yet Walken never fails to meet every one and turn Nick into an unforgettable tragic character that stays with you long after watching the film.

If Microsoft made the iPod

This is a hilarious video.  Apple is as concerned with its packaging as it is with its product.  Clean, cool, elegant.  Microsoft, on the other hand, is... well... Microsoft.  Here is what the iPod box would look like if Microsoft made it. 

Forget AMERICAN IDOL, X-FACTOR, and THE VOICE -- here's EUROVISION!

Singing competition shows are big deals in America but folks in Europe know the REAL enchilada is the EUROVISION.  Not just people but nations compete.  I think the grand prize is you get to occupy Norway.  Anyway, this has been going on for years and is gearing up for the 2012 edition.  Among the big winners have been Abba so you know it's legit.

Anyway, this was the WINNING song in 1969.  Let

Friday, March 30, 2012

Keith Olbermann has been fired: My take

Quick!  Can you even name the network he was on?   The Current Network has apparently dismissed Olbermann and he is pissed.  He claims the termination was baseless and plans to (a) sue, and (b) name Current as the worst network in the world.

His tenure there has always been stormy.  On the other hand, you hire Keith Olbermann you know you're not getting an Eagle Scout.

Personally, I think he's

Best Supporting Actor 1978

And the Nominees Were:

Richard Farnsworth in Comes A Horseman

Bruce Dern in Coming Home

Christopher Walken in The Deer Hunter

Jack Warden in Heaven Can Wait

John Hurt in Midnight Express 

ARCHER and other topics

A pretty funny show, by the way.  But turning to Friday Questions:

William C. Bonner has the ARCHER Q:

One of my favorite shows over the past couple of years has been Archer. I've described it to friends as a cross between Get Smart and South Park. It's seasons seem to be 10 episodes long.
For a season like this, is it most likely that all of the season will be written and sold, then the

Thursday, March 29, 2012

Kate Winslet

Birth Name
Kate Elizabeth Winslet

Nickname
English Rose
Corset Kate

Height
5' 6½" (1.69 m)

Mini Biography


Ask Kate Winslet what she liked about any of her characters, and the word "ballsy" is bound to pop up at least once. The British actress has made a point of eschewing straightforward pretty-girl parts in favor of more devilish damsels; as a result, she's built an eclectic resume; that runs the gamut from Shakespearean tragedy to modern-day mysticism and erotica.

Born into a family of thespians -- parents Roger Winslet and Sally Bridges-Winslet were both stage actors, maternal grandparents Oliver and Linda Bridges ran the Reading Repertory Theatre, and uncle Robert Bridges was a fixture in London's West End theatre district -- Kate came into her talent at an early age. She scored her first professional gig at 11, dancing opposite the Honey Monster in a commercial for a kids' cereal. She started acting lessons around the same time, which led to formal training at a performing arts high school. Over the next few years she appeared on stage regularly and landed a few bit parts in sitcoms. Her first big break came at age 17, when she was cast as an obsessive adolescent in Heavenly Creatures (1994). The film, based on the true story of two fantasy-gripped girls who commit a brutal murder, received modest distribution but was roundly praised by critics.

Still a relative unknown, Winslet attended a cattle call audition the next year for Ang Lee's Sense and Sensibility (1995). She made an immediate impression on the film's star, Emma Thompson, and beat out more than a hundred other hopefuls for the part of plucky Marianne Dashwood. Her efforts were rewarded with both a British Academy Award and an Oscar nomination for Best Supporting Actress. Winslet followed up with two more period pieces, playing the rebellious heroine in Jude (1996) and Ophelia in Kenneth Branagh's Hamlet (1996).

The role that transformed Winslet from art house attraction to international star was Rose DeWitt Bukater, the passionate, rosy-cheeked aristocrat in James Cameron's Titanic (1997). Young girls the world over both idolized and identified with Winslet, swooning over all that face time opposite heartthrob Leonardo DiCaprio and noting her refreshingly healthy, un-emaciated physique. Winslet's performance also garnered a Best Actress nomination, making her the youngest actress to ever receive two Academy nods.

After the swell of unexpected attention surrounding Titanic (1997), Winslet was eager to retreat into independent projects. Rumor has it that she turned down the lead roles in both Shakespeare in Love (1998) and Anna and the King (1999) in order to play adventurous soul searchers in Hideous Kinky (1998) and Holy Smoke (1999). The former cast her as a young single mother traveling through 1960s Morocco with her daughters in tow; the latter, as a zealous follower of a guru tricked into a "deprogramming" session in the Australian outback. The next year found her back in period dress as the Marquis de Sade's chambermaid and accomplice in Quills (2000). Kate holds the distinction of being the youngest actor ever honored with four Academy Award nominations (she received her fourth at age 29.)


Off camera, Winslet is known for her mischievous pranks and familial devotion. She has two sisters, Anna Winslet and Beth Winslet (both actresses), and a brother, Joss.

In 1998, she married assistant director Jim Threapleton. They had a daughter, Mia Honey Threapleton, in October 2000. They divorced in 2001. She later married director Sam Mendes in 2003 and gave birth to their son, Joe Alfie Winslet-Mendes, later that year. After seven years of marriage, Kate announced that she and Sam amicably separated in February 2010.
IMDb Mini Biography By: IMDb Editors

Spouse
Sam Mendes(24 May 2003 - 201?) (divorced) 1 child
Jim Threapleton(22 November 1998 - 13 December 2001) (divorced) 1 child


Trivia
Kate met husband Jim Threapleton on the set of her movie Hideous Kinky (1998), where he was working as an assistant director.
Won Best Spoken Word Album for Children, Grammy Awards, shared with Graham Greene. [2000]
Turned down the Gwyneth Paltrow role in Shakespeare in Love (1998) and the Jodie Foster role in Anna and the King (1999).
At age 11, she began attending the acting school Redroofs in Maidenhead, England, UK.
Sister of Anna Winslet, Joss Winslet and Beth Winslet. Kate is the second child.
The youngest actress ever to be nominated for two Academy Awards (for Sense and Sensibility (1995) and Titanic (1997)) (Aged 20 and 22 respectively). [1998]
Her first acting job was dancing with the Honey Monster in a commercial for Sugar Puffs cereal.
Nominated for Best Supporting Actress, Manchester Evening News Award for her theatre role in "What the Butler Saw" as Geraldine Barclay. [1994]
Chosen by People (USA) magazine as one of the 50 most beautiful people in the world. [1996]
She has a younger brother, Joss.
Parents: Roger Winslet (actor) and Sally Bridges-Winslet.
After her first success in the film Heavenly Creatures (1994), a reviewer predicted that she would always be associated with that character and would never be a big star.
Recorded a song for the soundtrack for the movie Christmas Carol: The Movie (2001). Producers were so impressed at her efforts they have decided to release the ballad - called "What If?" - as a single. It reached the top ten in the UK, peaking at number six. [June 2001]
Announced that she and husband Jim Threapleton are splitting up. [3 September 2001]


[November 2001] Confirms that she is dating director Sam Mendes.
Purchased a $3 million (US) home in London with boyfriend (later husband) Sam Mendes. They also bought a home in New York City.
She holds a unique position in Academy Awards history: Only twice have two actresses been nominated for playing the same character in the same film. The first two were Gloria Stuart and Kate in Titanic (1997). The second two were Judi Dench and Kate in Iris (2001/I).
Married director Sam Mendes in a private ceremony whilst on holiday in the West Indies in May, 2003.
Daughter Mia's name is Italian for "my".
Has sung in 5 of her films.
Prefers to wear boots rather than ordinary shoes because it makes her feel that her feet are "firmly on the ground."
Missed the premiere of Titanic (1997) because she was attending the funeral of close friend and former boyfriend, Stephen Tredre.
Resides in both London, England, and New York City, America. Her main home, however, is in Cotswolds, England.
Has a nephew, George. His mother is Beth Winslet.
Sprained her ankle on the set of Romance & Cigarettes (2005) in May 2004.
She sold her North London home in Belsize Park to Gwyneth Paltrow and Chris Martin.
Was considered for the role of Bridget in Bridget Jones's Diary (2001) but it was then decided she was too young to portray the role.
On the day she had to film the straitjacket scene in Hamlet (1996), she learned she had won the role of Rose in Titanic (1997).
While serving as host of "Saturday Night Live" (1975) one week after Ashlee Simpson's "recorded song malfunction," she opened the show by singing and dancing live.
Bust size 1996 - 34C.
Was born in the same hospital as her husband, Sam Mendes.
Filmed her 2005 American Express commercial in Camden Town, London, England.
First screen kiss was with Melanie Lynskey in Heavenly Creatures (1994).
Her performance as Clementine Kruczynski in Eternal Sunshine of the Spotless Mind (2004) is ranked #81 on Premiere Magazine's 100 Greatest Performances of All Time (2006).
Her daughter Mia had to be delivered by Cesarean section, which made Kate feel she hadn't given birth properly. She admitted to it only after giving birth to her son Joe (who had been delivered naturally).
Was offered the role of Eowyn in The Lord of the Rings: The Two Towers (2002).
Kate married Sam Mendes, who was a childhood friend of Tom Hollander, with whom he went to Cambridge University and whom he directed in several plays. Tom and Kate were both in the film Enigma (2001).
Nominated for Best Supporting Actress, Premiere Magazine for Sense and Sensibility (1995)). [1995]
Won Best Film Actress, Smash Hits Magazine. [1998]
Won Sexiest Actress, Entertainment Insider Awards. [1998]
Won Film Actress of the Year, Variety Club of Great Britain. [1999]
Nominated for Best Actress, Roughcut.com Internet Movie Award for Holy Smoke (1999). [2000]
When interviewed on "Good Morning America" (1975) to promote her film The Holiday (2006), they surprised her by showing a clip which was supposedly Winslet on the Sugar Puff Commercial in 1987. However, the girl in the clip shown was not her. Winslet did not point out the error because she did not want to embarrass the researcher and get the person fired. She was then praised by the media for her caring and consideration of other people. [2006]
Her performance in Eternal Sunshine of the Spotless Mind (2004) is her personal favorite.
Along with Claude Rains (for Mr. Skeffington (1944)), Vanessa Redgrave (for Julia (1977)) and Mare Winningham (for Georgia (1995)), she is the only performer to be nominated for an Supporting Oscar (for Iris (2000)) for playing the title role in a movie. As of 2006, Redgrave is the only one to win.
As of January 2009, she is the youngest actress to rack up 6 Oscar nominations.
Won Best Actress, Toronto Film Festival for Heavenly Creatures (1994), shared with Melanie Lynskey. [1995]
Runner-Up for Best Actress, New York Film Critics Circle for Holy Smoke (1999). [1999]
Nominated for Best Supporting Actress, Rec.Arts.Movies.* Critics Circle for Quills (2000). [2000]
Runner-Up for Best Actress, National Society of Film Critics for Holy Smoke (1999). [2000]
Runner-Up for Best Actress, New York Film Critics Circle for Eternal Sunshine of the Spotless Mind (2004). [2004]
Chris Tookey, of the British newspaper "Daily Mail," chose her as Best Actress of the Year for her roles in The Holiday (2006) and Little Children (2006). [2006]
Is a fan of Rufus Wainwright's CD, "Poses" (mentioned in one of her ads for AmEx).
Nominated for Best Actress in a Dramatic Performance, Excellent Dynamic Activism (EDA) Awards/The Alliance of Women Journalists for Little Children (2006). [2006]
In an interview for the London Evening Standard, she revealed she has taken a year off (from April 2006 to April 2007) from her career, to spend more time with her family. [2007]
Official Celebrity Spokesperson for Lancôme. [2007]
Her children refer to very close friend Leonardo DiCaprio as "Uncle Leo. " He also bought Kate an inscribed gold ring, after they filmed Revolutionary Road (2008). However, Winslet keeps the inscription a secret.
Was named one of '50 Most Beautiful' by People Magazine in 2005.
Auditioned for the role of "Elizabeth" in Kenneth Branagh's Frankenstein (1994). Helena Bonham Carter got the role, but Branagh was so impressed by Winslet that he offered her the part of "Ophelia" in Hamlet (1996).
Involved, along with Sherilyn Fenn, Rufus Sewell, Miranda Richardson and Paul McGann in the 1998 film project "Johnny Hit and Run Pauline". The film was to be executive produced by Emma Thompson, and written and directed by Fay Efrosini Lellios. The shooting was set to start in June 1998 in New Hampshire. The film was canceled due to financial withdrawal. [1998]
Lives in New York City. She also owns a home in Gloucestershire, England.
Placed third equal (with Anne Hathaway) for Best Actress, New York Film Critics Circle for Revolutionary Road (2008). [2008]
The Holiday (2006) was the first movie that Kate used her own accent and didn't develop a special voice for her character.
Sister-in-law of Edmund Harcourt.
Only the third person in history to win two acting Golden Globes in the same year (Best Actress, Drama for Revolutionary Road (2008) and Best Supporting Actress for The Reader (2008)).
As of 2009, she is only one of six performers who won a Golden Globe Award as Best Lead Actor/Actress in a Motion Picture Drama without being nominated for an Oscar for that same role (hers for Revolutionary Road (2008)). The others are Spencer Tracy in The Actress (1953), Anthony Franciosa in Career (1959), Omar Sharif in Doctor Zhivago (1965), 'Shirley Maclaine' in Madame Sousatzka (1988), Jim Carrey in The Truman Show (1998). However, of those six performers, Winslet is the only one to be nominated and win an Academy Award for a leading role but for a different role, in a same year.
The producers of the The Reader (2008) tried to promote Winslet as Supporting Actress during the Oscar race 2009 in order to enhance her chances to get nominated twice (for Best Supporting Actress for The Reader (2008) and Best Lead Actress for her role in Revolutionary Road (2008)). The Academy overthrew this plan by nominating Winslet for Best Lead Actress for her performance in The Reader (2008), leaving aside her performance in Revolutionary Road (2008), although she won several other award nominations in both categories for the respective movies. According to Academy rules, an actor is eligible for only one nomination in a single category.
Is one of 9 actresses to have won the Academy Award, BAFTA Award, Critics' Choice Award, Golden Globe Award and SAG Award for the same performance. The others in chronological order are Julia Roberts for Erin Brockovich (2000), Renée Zellweger for Cold Mountain (2003), Reese Witherspoon for Walk the Line (2005), Helen Mirren for The Queen (2006), Jennifer Hudson for Dreamgirls (2006), Mo'Nique for Precious (2009), Natalie Portman for Black Swan (2010) and Octavia Spencer for The Help (2011).
Was originally cast as Nola Rice in Woody Allen's Match Point (2005), but dropped out at the last minute, so she could spend her time with her child. The role went to Scarlett Johansson .
Was in consideration for the part of Satine in Moulin Rouge! (2001) but Nicole Kidman, who went on to receive a Best Actress Oscar nomination for her performance, was cast instead.
Returned to work 11 months after giving birth to her daughter Mia in order to begin filming The Life of David Gale (2003).
Returned to work 5 months after giving birth to her son Joe in order to begin filming Romance & Cigarettes (2005).
Born at 7:15 am-BST.
Announced that she had separated amicably from husband Sam Mendes two months previously (15 March 2010).
Is just 12 years older than Evan Rachel Wood, who played her daughter on "Mildred Pierce" (2011).
Virgin Group billionaire Richard Branson credited Kate with 'helping to carry' his 90-year-old mother out of his burning Caribbean-island house, where Winslet, her boyfriend 'Ned Rocknroll' and her two children were staying (August 2011).
Ranked as having one of the "Most Beautiful Famous Faces" by "The Annual Independent Critics List of the 100 Most Beautiful Famous Faces From Around the World" for 14 consecutive years. She was ranked #31 in 2010, #22 in 2009, #12 in 2008, #15 in 2007, #18 in 2006, #21 in 2005, #13 in 2004, #11 in 2003, #14 in 2002, #4 in 2001, #11 in 2000, #20 in 1999, #17 in 1998, and #27 in 1997.
Gave birth to her first child at age 25, a daughter Mia Honey Threapleton on October 12, 2000. Child's father is her first husband, Jim Threapleton.
Gave birth to her second child at age 28, a son Joe Alfie Winslet Mendes on December 22, 2003. Child's father is her second husband, Sam Mendes.


Personal Quotes
[talking about her screen debut in Heavenly Creatures (1994)]: "I was reading the script in the back of the car and I turned to my dad and yelled, 'I've GOT to get this!' And he replied, 'Then you will.' And I thought, 'Yep, that's it. I'm bloody well going to.' And that was it. I was so determined. It was something crucial to my life. I just so communicated with her, the story and their relationship. And when I found out, I just couldn't believe it. I was so happy, I cried. I remember I was working part-time at a deli at the time because I didn't have any money and was in the middle of making a sandwich when they phoned and said I'd got the job. I burst into tears and had to leave work because I couldn't control myself. It was absolutely brilliant."
In 2002 she had this to say about doing nude scenes: "I like exposing myself. There's not an awful lot that embarrasses me. I'm the kind of actress that absolutely believes in exposing myself."
I'd rather do theatre and British films than move to L.A. in hopes of getting small roles in American films.
It's very important for me to make the statement that I am English and just because I've done one really big film, it doesn't mean that I don't want to keep a finger in the fantastic British film industry and do films like this.
About her spur-of-the-moment marriage to Sam Mendes - "We hadn't been planning to do it but we thought it was rather a good idea, so we just did it."
After Titanic (1997) it would have been completely foolish for me to go and try and top that. I'm an English girl, I've always loved England, I've never felt the desire to leave it for any particular reason. And whilst I'm ambitious and care very much about what I do, I'm not competitive. I also don't want to act every day of my life. ... So it was important to me after Titanic (1997) to just remind myself of why it was that I was acting in the first place, which is of course because I love it.
Since I was 13 or 14, I've always felt older than I actually am.
I was on the tube just before Christmas. and this girl turned round to me and said, 'Are you Kate Winslet?'. And I said, 'Well, yes. I am actually'. And she said, 'And you're getting the tube?' And I said, 'Yes'. And she said, 'Don't you have a big car that drives you around?' And I said, 'No'. And she was absolutely stunned that I wasn't being driven round in some flash car all the time. It was ludicrous.
People say to me, 'You seem to have made this conscious decision to do independent films'. In reality, I haven't. After each movie, I always think, how different can I possibly be?... Is this going to challenge me, is this going to inspire me, and is this going to make me love my job more than I already do?
There is no way we are going to move out of England. Some might think that we want to live in Hollywood but that is not what we want at all. We will go and live in New York when it is necessary because of work but we prefer to be in England. I'm proud to be English - we both are. It's very important to me to retain that. I am an English girl and I love England. I have never felt the desire to leave. I am still ambitious and I will have to travel and live elsewhere because of that but England is always home.
On a scene from the movie Holy Smoke (1999),: "It was a difficult scene. When I read the script and I saw this scene was there, I laughed hysterically. I just couldn't believe it. When it came to shooting it, I had been sort of putting it off, and pretending it wasn't going to happen. And suddenly, I am there naked, peeing and thinking "Oh no!" It was really hard to do, but I've always loved the fact that it was there, and it's such a sort of turning point for the character I play in the movie that I've always felt sort of good, that it should be there."
On receiving her 4th Oscar nomination: "I can't believe it. I am ecstatic! This nomination means so much to me. To be remembered for a film that was released a while ago, I am unbelievably honoured and completely overwhelmed."
There's more to life than cheek bones.
Mum and dad were very much friends, and up to life. There was no anxiety for anything when I was growing up, they just taught me to be me.
Life is short, and it is here to be lived.
Loving someone is setting them free, letting them go.
I don't know if it's a skill, but I have been really lucky. I've always got on with every actor I've had to work opposite. I just always try and be as accepting of that person as I possibly can, and remain non-judgmental about their process, because every actor works in a different way.
I was a wayward child, very passionate and very determined. If I made up my mind to do something, there was no stopping me.
On going to the 1996 Oscars: Emma Thompson said to me 'Listen, it's honestly just like going to see a fantastic show', and actually it really is, because there are so many people to look at and all those fabulous frocks and it's really fascinating. But mum and dad and I did kind of amble through it a bit, a bit like the Beverly Hillbillies, getting out the car, my mum stepping on my dress and I'm going 'Mum, mum!'
I'm really proud of being English, because I learned my job in England, in English films with English actors. But I never dared dream of such a success... it's more than a dream. I realize it's extraordinary for a British actress. I feel good, but guilty at the same time, cause I wish I could share this emotion with all my British actors' friends... I play the main character in the most expensive and probably successful film, but that's not a good reason to leave England and become a superstar. Not at all.
It seems daft that I'm famous and I've not really got to grips with that.
On taking chances in Hollywood: If you're not still learning and growing as an actor, then you have no backbone and no career. - Interview, November 2000.
My skin still crawls if you call me a movie star. I get embarrassed. I think, don't be ridiculous. Maybe it's because I'm British. To me, Julia Roberts that's a movie star. But when people do call me one, that, I think, is an enormous compliment but, my God, is that a responsibility!
It feels unbelievable to be mentioned in the same breath as fellow actress Meryl Streep. It's inconceivable to me that this would even happen in my lifetime at all. It's such a dream. (About being nominated in the same category as superstar Meryl Streep)

Salary
Titanic (1997)$2,000,000
Holy Smoke (1999)£360,000
Quills (2000)£450,000
Enigma (2001)£300,000
Finding Neverland (2004)£6,000,000

Best Supporting Actor 1986: Results

5. Denholm Elliot in A Room With a View- Elliot is fine in his few scenes but he never makes much of an impact with his performance.
4. Dennis Hopper in Hoosiers- Hopper gives a moving and effective performance that might not be on the level of his work listed below, but it is still a good performance.
3. Willem Dafoe in Platoon- Dafoe realizes his good sergeant character by never overplaying the part and turning his character into a believable descent man that is more than just a moral.
2. Tom Berenger in Platoon- I give the slight edge between the two Platoon men because he has the even greater challenge to avoid becoming just simple villain. He realizes the intensity and interestingly enough when he can the humanity of his character.
1. Michael Caine in Hannah and Her Sisters- Caine wins  in this fairly strong year with his all over the place yet withdrawn and subdued performance as the man who lusts after his wife's sister. It it almost a scatter shot of emotions which Caine is able draw upon to realize his character while even finding some humor in the role as well.
Deserving Performances:
Dennis Hopper in Blue Velvet
Daniel Day-Lewis in A Room With A View
Steve Martin in Little Shop of Horrors

Only 9 more hours to get my free book

I can't make it any cheaper.  But this promotion ends at midnight PDT.   According to the people who downloaded it for FREE, it's worth twice what they paid for it.    Even if you don't own a Kindle you can get a Kindle ap for your computer or tablet and use that.   And the aps are free.   So take advantage of this nifty offer while you can.   Just click here.   Thanks.

Best Supporting Actor 1986: Michael Caine in Hannah and Her Sisters

Michael Caine won his first Oscar from his fourth nomination for portraying Elliot in Hannah and Her Sisters.

Hannah and Her Sisters tells of the various stories of Hannah and her sisters as well as the stories of her two husbands.

Michael Caine portrays Hannah's (Mia Farrow) second husband who from the opening scene is obsessed with and lusts after Hannah's sister Lee (Barbara Hershey). Many of the performances are quite withdrawn in this film as much of what the character comes in the form of their own narration over what their character is thinking and feeling. This is especially true of Caine's performance and character of Elliot since he not only has plenty of narration scenes but many of his scenes involve him trying to hide his feelings toward his wife sister, or keeping their later affair a secret.

Caine though effectively portrays the part despite the technical limitations that are put upon almost throughout his entire performance. From his very first scene Caine realizes Elliot's lust for his wife sister just perfectly. It is careful and subtle work by Caine that realizes his character's state quite well. Caine finds just the right line between being secretive of what Elliot wants in that unless you look closely you would not notice it. Caine has just the right simple, and subtle indications of Elliot desires for Lee. He shows it really as although he is holding back to such a degree he wants her so much that he comes through nevertheless.

Caine continues to find just the right path for his character as Elliot shyly tries to pursue the affair. Caine is quite good in the way he brings a slight comedic touch to his performance here as he could have portrayed the part completely straight. He just brings the right up amount of humor to his performance as he avoids every pushing to hard for any comedy, but makes it feel entirely natural within his performance. Caine just finds it within his character rather erratic behavior as he almost tries to woo her, without doing so, but trying to do so without being obvious about it. The funny thing is despite Elliot being erratic Caine never overplays a moment of it finding just the right tone for it all.

Caine is terrific in his moments when Elliot finally does reveal his precise feelings to Lee rather suddenly. Caine shows the transition of Elliot well as well still showing that he does not have a single emotion in the moment still showing some hesitation and embarrassment but more specifically in this one scene showing more joy over finally coming out with his true feelings finally. It is funny actually about Caine performance that there is never a single scene where he lets a single emotion override the rest Elliot is one confused fellow and Caine realizes this wonderfully. This particularly special scene for Elliot is the closest Elliot comes to feeling a single emotion which is happiness and Caine brings this out incredibly well.

Although the affair really seems to be given less and less time within the film along with Caine himself the glimpses given Caine continues to bring to life his character's unique situation. Still there is no set emotion Elliot feels about the affair, but Caine is good in showing that after Elliot has achieved the affair he has a lot less fun with it than before he actually even approached it directly, and appropriately the humor does disappear from his performance. Caine in his briefer moments shows the internal struggle that Elliot is facing almost silently. It is an effective portrait of this man who really has no idea of his path, and even in the end when it seems Elliot does seem to know what he wants still has the slightest glint of regret in his performance. It is a very strong performance by Caine that never fails to bring to life the emotional state of his character despite the complexity of it all as well as the subdued nature of the role.

Advice to fellow neurotics

Do you always get sick just before a big exam? Or big performance? Or big game? Your problem might not be physical.  Take comfort.  You could just be a neurotic mess.  Your ailments could be psychosomatic.

It has happened to me.

Going back to my erstwhile radio career as a screaming top 40 disc jockey in the ‘70s, I would always get sick just as a new rating period was about to begin.

Wednesday, March 28, 2012

Last chance to get my FREE book!

The offer ends midnight Thursday PDT.  The Kindle version of WHERE THE HELL AM I?  TRIPS I HAVE SURVIVED is FREE if you download before the deadline.  Just go here.    It's normally a book of humorous travelogues but for free they're HILARIOUS.

Best Supporting Actor 1986: Dennis Hopper in Hoosiers

Dennis Hopper received his only acting Oscar for portraying Shooter in Hoosiers.

Hoosiers is about a basketball coach (Gene Hackman) with a troubled past trying to bring his small town team win the state championship.

Dennis Hopper's Oscar nomination for this film is usually seen a bit of a head scratcher, not due to the quality of his performance in the film but rather because he was nominated for this film instead of his work in Blue Velvet from the same year. The problem with his Blue Velvet performance though is that the character of Frank Booth is not only evil but downright depraved in the most extreme fashion. The academy does not mind brutal villains, they nominated Berenger for this year, but Hopper's Frank was maybe just a little too sick for their tastes.

Perhaps Hopper could have been nominated for Blue Velvet if there was not the rather stupid rule that actors can only be nominated once in a single category but because of that it still gave voters the ability to vote for Hopper, but instead of voting for his portraying of a drug using, murderous sex fiend they could nominate him for the goodhearted town drunk in this film. It is remarkable actually the extreme difference in his two characters although they are both substance abusers one is a good man inside who seems to have the ability to be an even better man inside him.

Disregarding his other performance entirely though Hopper's performance here still does hold merit as the town drunk with a son on the basketball team who finds a second chance through Hackman's character offering him the chance to be his assistant coach. Hopper has plenty of drunk scenes and moments of his character being rather pathetic. Hopper doesn't overdue these scenes. Shooter is disruptive when drunk, and Hopper captures that while not ever making it seem like time for acting which these sorts of scenes commonly let themselves become.

Even though he really is not given much time to develop his character's past other than just a few passing remarks Hopper is effective in actually establishing his character's troubled history. He shows both a pride and a pain in his past over his own success and failures that he had in the past. Hopper's portrayal of this is actually quite remarkable as it is difficult to show both of these feelings without one clearly overwhelming the other or at least failing to convey either well. Hopper though succeeds in showing an honest past of both trouble and accomplishment.

Later as the film when Shooter gets his second chance Hopper is quite effective because he really does not show that Shooter changes but rather through his weaknesses there always was a stronger man inside. Hopper is careful to show that he never completely forgets his problems in his scenes on the basketball court, but rather he is able to pull himself just enough to bring out the best of him. It is a very moving portrait of this man that realizes his character's struggle and strength authentically without a moment of seeming to force Shooter's better moments. Hopper frankly could not be better in the role and does create a moving portrait of this man without ever making his more emotional moments feel in anyway manipulative. Although it might not be his most memorable performance of the year it certainly is a good one and stands as one of the better supporting performances of the year.

Imagine going to work HERE everyday

Here’s one of those questions worthy of an entire post:

It’s from Nancy Knechtel:

You have captured the history of the studios you have worked at so well - Did you ever find out who occupied your offices at the studios in the past? Rumor has it that some writers have worked in Shirley Temple's old dressing room bungalow at Fox. Were your offices old dressing rooms or writers buildings? Any

Tuesday, March 27, 2012

Best Supporting Actor 1986: Denholm Elliot in A Room With A View

Denholm Elliot received his only Oscar nomination for portraying Mr. Emerson in A Room With A View.

A Room With A View describes the troubles a young woman faces (Helena Bonham Carter) due the repression involved with Edwardian society.

After winning three Baftas in a role for a supporting actor Elliot finally received an Oscar nomination for his role in this film. I imagine this possibly helped give Elliot the edge with voters over Daniel Day-Lewis from the same film for portraying the stiffest of all Edwardians. Elliot portrays quite a different character in Mr. Emerson who does not abide by many of the Edwardian requirements for proper living and of course behavior. He is a bit more emotional and flamboyant that the ideal Edwardian person, as is his free spirited son George (Julian Sands).

The part is actually rather limited and simplistic though. All Mr. Emerson does is act a little flamboyant, as well as shows his caring for his son who he wants the best for. He is only in a few scenes actually and his impact on the film is not all that great. Denholm Elliot though does his best to infuse life into his part in small ways in his short scenes. He most certainly has an energy in his scenes showing how he is not at all repressed like many of the other people who bend to the rules of society. As well as showing a quiet passion and love for his son showing that Mr. Emerson wants what is best for his son.

Denholm Elliot certainly does fulfill his role. I would in fact say he fulfills it as about any other actor could have. He is a nice enough presence in the film really, but he really is not a particularly memorable one either. I won't say this is his fault in the least he just is not given enough to do. It is never a bad performance in any shape or form. It is an entirely suitable performance for the film, and he does not waste his screen time as he very well could have. In the end though it just is not a remarkable performance, and his nomination for this film was not needed.

Best Supporting Actor 1986: Willem Dafoe and Tom Berenger in Platoon

 Willem Dafoe and Tom Berenger received both of their first Oscar nominations Dafoe for portraying Sgt. Elias Grodin and Berenger for portraying Sgt. Bob Barnes.

Platoon depicts the tour of duty of Pvt. Chris Taylor (Charlie Sheen) in Vietnam who struggles with the war as well as the morality of men within it.

I usually do not review performances together even when they are part of the same film unless reviewing one performance naturally causes me to mention the other constantly and this is the cause of Dafoe and Berenger. As the two men portray the beacons of morality within the film Berenger's Barnes representing evil well Dafoe's Elias represents the good. With Oliver Stone an actor must be careful when Stone's heavy handed black and white writing and direction is around, since it can easily lead to very over the top performance, luckily though Berenger and Dafoe are competent enough not to be swept up into the over the topness Stone can often cause in performances.

Neither of the actors overplay their part and both do attempt to turn them into real people, even if Stone's writing tries to keep them both a little simpler than they really needed to be to even convey his theme he wanted out of the two of them. Berenger as the bad Sergeant is the rougher of the two scarred from the war, but also dominate over the the men even over their lieutenant. Berenger early in the film is effective because he does not try to be the eventual point of Stone's early but rather just shows a tough Sergeant leading his men along and doing his job the way he sees he must do it. Dafoe actually counters him in much the same way he doesn't try to make Elias a man of good, but as well just a Sergeant doing his job although in a kinder more humane fashion and interestingly enough early on their differences don't seem that extreme.

The two show two very different fashions in which the two Sergeants cope with the war but both actors handle it effectively so. Berenger shows Barnes to basically internalize most of his feelings toward the war and only seems to realize it in his acts of violence. Although Berenger is great in a few short moments where he shows the emotions quietly coming out of Barnes over the death of soldiers that is very well handled considering such a moment could have been completely forgotten with the path his character eventually takes. Dafoe on the other hand more of show an exasperation in Elias over his years in the war finding them tiring him, and losing faith in the effort. Dafoe conveys this carefully because he does not show it as if Elias has given up but rather there is a still a passion to keep his men alive, but still he sees much of his efforts being futile.

There paths though converge quickly as Barnes murders civilians and Elias fights with Barnes because of this. The two performances than assume their roles of the good and the evil. Berenger is appropriately intense and chilling as Barnes when he goes over the edge and starts killing. He acts though not quite as some sort of soulless villain but rather a man who has just gone over the edge. Berenger does not turn Barnes into the most memorable of villains but that really is not a problem as Berenger plays down his evil enough to be far more realistic as Barnes actually. Dafoe as well does not overdo the goodness of the character for a moment. Elias simply is just a good man effortlessly so because of Dafoe. There is no visible effort in his performance to portray the kindness in Elias he is just honestly a good man.

Both actors achieve in developing the central conflict of the film without hammering it in as much as lesser actors would have even though there director probably would not have minded either way. Just as if not more importantly though both are effective in making their characters human beings first before being representatives of dark and the lighter side of mankind. There performances are strong efforts throughout and each have individual moments that do stand out. Dafoe of course has his big dramatic final scenes which is terrifically acted by him. Berenger best moment comes in his moment we he challenges all of Elias' men on their death threats toward. Berenger is great in the way he absolutely controls the moment and the men as Barnes. Both give strong performances that serve their film probably as well as they possibly could.
(Same Rating for Both)

The Best Drama on TV

For all the hoopla surrounding the return of MAD MEN, the best drama of the year might well be JUSTIFIED. It has all the complexity of MAD MEN plus shit happens! A lot!  Personally, I was a little underwhelmed by the MAD MEN premiere even though I'm a huge fan of the show.  But that could just be me.  Critics went nuts.   What did you think?

But I digress...

Graham Yost, who may be as

Monday, March 26, 2012

I'm offering my book for FREE

Starting tomorrow for three days only you can get the Kindle version of my travelogue book, WHERE THE HELL AM I?  TRIPS I HAVE SURVIVED for free.   Yes, I'm crazy.  But it's another way of saying thank you for reading my blog.  Just click here.  This begins midnight PDT.  And again, it's for three days only.   Enjoy!

And now return to today's regularly scheduled post on why NBC is so

NBC screws up yet again!

Here’s another example of how an inept network can kill a good show.

Last summer I screened all the pilots for the upcoming season. I deserve a medal. The best comedy pilots I saw were THE NEW GIRL for Fox and BENT for NBC. Although I wasn’t knocked out by BENT I thought it was smart, funny, and had a good cast. Amanda Peet was fine, and David Walton as the irascible handyman was a find.

Sunday, March 25, 2012

Best Supporting Actor 1986

And the Nominees Were:

Tom Berenger in Platoon

Willem Dafoe in Platoon

Michael Caine in Hannah and Her Sisters

Denholm Elliott in A Room With A View

Dennis Hopper in Hoosiers

Sunday Funny Fotos

Some taken by me, some taken by others.
I took this picture in Beverly Hills.I always wondered where he ended up.  This is in Philadelphia.Art gallery in Maui.  Tony Bennett and David Bowie in big letters and then in smaller font -- Picasso.Also in Maui.Concession stand at the Tokyo Dome where the Mariners are (and I'm not).  Thanks to Shannon Drayer for these next few pictures.

You can follow

Calls of the wild

This is a great month for sports fans. March Madness, spring training, the NBA and NHL are roaring towards the playoffs where their games actually matter. And who can forget golf (other than me)?

I must say March Madness coverage isn’t the same this year without Gus Johnson. Yes, he’s an acquired taste because his enthusiasm sometimes spills over into raving lunatic, but during dramatic

Best Supporting Actor 1999: Results

5. Michael Caine in The Cider House Rules- Caine with a strange accent gives a dull sometimes almost lifeless performance that never seems to bring the genuine emotions one would for a part that seems like it is only ever trying to be emotional.
4. Michael Clarke Duncan in The Green Mile-Duncan achieves this well with his performance by finding just the right sort of characterization for Coffey all the way through the film.
3. Jude Law in The Talented Mr. Ripley-  Law gives an performance effective because he never only seizes one note with his performance and realistically portrays both Dickie's cruel and charming side equally well.
2. Haley Joel Osment in The Sixth Sense- It would have been very easy to lose the human element to the horror that comes into the film, but Osment always is able to keep the humanity in his character alive throughout the film in his performance.
1. Tom Cruise in Magnolia- Cruise might not be my favorite actor, but he is absolutely brilliant here absolutely succeeding with a character that could have gone wrong in a great number of ways but never does. He turns his bizarre guru in a memorable and very intriguing character.
Deserving Performances:
Philip Seymour Hoffman in Magnolia
Alan Rickman in Galaxy Quest

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